A Quote by Milo Ventimiglia

Sometimes you're working in highly emotional scenes and you'll get lost in the moment. You're having fun with your friend at work. It's an opportunity to give to them as much as they've given back to you.
Anyone who supports your work, I like having the opportunity to thank them for that, and I think also Twitter provides an opportunity for people in the public eye to give a faithful account of who they are.
Somebody comes to your house. You know they're coming, so it's not a surprise. And they give you an envelope that has your scenes in it. And they sit in the car outside for a half an hour while you read your scenes, then they ring your doorbell and you give your scenes back. Then you shoot the movie a few weeks later or something. The next time you see your scenes is the night before you start shooting. I never read the script [Blue Jasmine], so I didn't really know what it was about.
When you're touring, you're working from the moment you wake up to the moment you got to bed. Sometimes you make up fun drama, because it can get a little boring, but that's all light-hearted fun so that's different.
You want to have fun but you also want to work well. Sometimes I was quite happy at Ferrari, because we would have fun, but then they could not stop having fun and go back to the real work.
Well I liked the mixture actually. It's really good fun to have throughout a shoot to move from something which is quite character based in certain scenes where there's very little action and you're just working with actors and I suppose I've had quite a lot of practice at that. This is more action than I've had a chance to do so that was fun for me too to go into the action then and have some really good crew working with me. And sometimes you get these scenes where they blend.
Being on the set of Aliens was an amazing experience. I had so much fun, and enjoyed every moment. I think my fondest time would be having the opportunity to work with Sigourney Weaver, one of the classiest people I have ever met.
I do think that I'm a big believer in having an idea or having ideas and just tucking them away in the back of your brain. Even if you aren't consciously thinking of them, I think they simmer. You're working on them, even if you don't know you're working on them, and I think having something in your head for a while is a valuable thing.
I don't want to give a lecture to this body that's out there. You know, I mean, having had the heart attack, I want to get it back functioning. And as a practical matter, I mean if you were Bear Stearns, and you were a shareholder, you know, you lost 90 to 95 percent of your money. A good many lost their jobs. They lost very cushy lives, many of them.
I like it when actors get an opportunity to chew into something. They love scenes with beginnings, middles, and ends - scenes that give an arc to their characters and allow audiences to get to know these people.
Sometimes, a scene goes on too long and, with this being a suspense story and murder mystery that you're trying to discover through her heightened paranoia, you don't want scenes that take you on a tangent. Sometimes, you love those scenes, but you know that it's better not to be in the overall film. So, I'm not sad that they're not in the main movie, but I do think it's fun for people to get to watch them, if they want to.
I get a little teary on stage sometimes. It can be really emotional when it dawns on you that people are singing along and having fun.
When you train outside of camp, it's fun, I'm playing around, I'm working hard but I'm having fun. When I get into that camp it's 10 weeks of tunnel vision on that opponent, you're trying to work on your strengths and weaknesses, really trying to get better in different areas before the fight.
Honestly, I don't look at it as work because I have way too much fun on set to actually classify it as work. I know a lot of people who are like, 'Man, acting's so much work.' And I'm like, 'No, it's not. I'm having fun.' And I want to keep doing that. I don't ever want to give up acting.
Off the floor I'm really laid back, like nothing really fazes me too much. But on the floor I do get emotional and a little carried away. However, I started playing when I was 13 to have fun with my teammates, and that never stopped. I enjoy traveling and having fun in the locker room with the guys. Life is too short to be miserable.
Off the floor, I'm really laid back: like, nothing really fazes me too much. But on the floor, I do get emotional and a little carried away. However, I started playing when I was 13 to have fun with my teammates, and that never stopped. I enjoy traveling and having fun in the locker room with the guys. Life is too short to be miserable.
I've had production offers with artists I really admire, and oftentimes that doesn't work out. Sometimes it does, but... For instance I was asked if I wanted to do a Talking Heads album back in the late '70s, early '80s, and I was already working on a different project and didn't have time, so I never got the opportunity to work with them.
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