A Quote by Milo Ventimiglia
[Sylvester] Stallone and I were in a meeting for Rocky Balboa. We were laughing about something, and he looks at my mouth and says to the casting director, "Wow, your lip even hooks down like mine does." Then he looked at the casting director and nodded, and I guess that was the nod of saying, "Hire this kid." So yeah, I have a really crooked mouth. They don't work, but I can feel everything.
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I don't know what I'm qualified to do, film-wise... So it's really down to a director or a casting director to find something that they think I could do.
I didn't like my mouth because I always felt like it was a sausage for a bottom lip, and I have an overbite, so I can't exactly close my mouth. It's really, really hard! But now I like it because it's kind of sultry, and it's my mouth. I should say I don't consider my bottom lip a sausage lip now - I like it, but I guess I grew into it. I definitely saved a couple hundred bucks instead of getting fillers.
I felt like it was something that didn't represent how I wanted to present myself. Now I'll see kids I come across on Twitter or Comic-Con, and they'll smile and I'll be like, "You have a crooked mouth like I have a crooked mouth!" We just sit there, and I talk about it with them and they feel better about themselves.
Finally, I was called for "The Office" and I was really lucky, because a lot of the shows that I went out for I would work my way up from, like, an audition with the casting director to the director to the producers to the studio, I'd go through seven auditions, and then they'd give the role to a famous actress.
Casting director was a part-time thing, which later became a full-time job because there was a lack of casting directors in our industry and people were looking for professionals to do it.
I randomly went to a casting session in my hometown in North Carolina, and the casting director introduced me to my manager. I really lucked into it!
There is no casting director; there is no producer monitoring your upload button. Anyone that looks like anyone can upload a video. I think YouTube and the digital space does set a really good example for the rest of the industry in that sense.
Where having been an actor was extremely helpful to me was in casting. That's where I think a director who has acted can really shine, and casting is the most important thing you do.
I grew up watching 'Rambo' and 'Rocky' and all of those movies, so you have a surreal moment, even as an actor, when you're in front of these guys, whether it's DeNiro or Stallone. You have a moment like, 'Geez, that's Sylvester Stallone,' and then you have to snap out of it and get back in the pocket of the character.
I think the whole nostalgia for the forty year gap for [Sylvester] Stallone was bigger than the movie [Creed], but it's good because the movie still gets recognized with Stallone's involvement. I'm sure the director [Ryan Coogler] is still proud of his film, but it's very hard to nominate a director.
I was modeling while I was in university and my agency said, 'There's this fashion campaign, can you go?' And I didn't want to; I told him I wanted to focus on my acting, but I ended up going, kind of dragging my feet, and it turns out, the casting director for it was the casting director for Lars von Trier's new movie.
But, yeah, it was just the regular audition process. There were a couple people telling me about it and that they were looking for the actors, but my manager is pretty good at sorting that out. And, (casting director) Rene Haynes cast me in Into the West, and she's always kept in touch and been a real big supporter of my career.
I have my father's lopsided mouth. When I smile, my lips slope to one side. My doctor sister calls it my cerebral palsy mouth. I am very much a daddy's girl, and even though I would rather my smile wasn't crooked, there is something moving for me about having a mouth exactly like my father's.
You nodded towards the cup. "Want more?" I shook my head. "What about the car?" "Didn't find it. You were heading back towards me when I found you." "Towards . . . ?" You nodded. "So I reckoned the car had probably got stuck or died somehow, and you were just coming home." "Home?" "Yeah." Your mouth twitched. "Back to me.
It's true that I don't think I'd be a good director. If I were a director, I'd try to hire the best people I could and then leave them alone. I don't know much about cameras or lighting, so I'd make sure that I had a really good cameraman who understood lenses and lighting, and I say to him, "This is the scene we have to shoot and this is what I think it should be, you go do it." Same with actors. But really, very good directors who know everything do basically the same thing. They hire you and then they leave you alone.
I have to say: We were looking at all of Native American actors, who mostly all work under one casting director. And there's so much talent to be cast. There really is. We saw some really good readings. There's more talent to be had there.
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