A Quote by Milo Ventimiglia

I think that any good storytelling lends itself to closing a chapter but also knowing that there's a few more volumes beyond that to dream off of. — © Milo Ventimiglia
I think that any good storytelling lends itself to closing a chapter but also knowing that there's a few more volumes beyond that to dream off of.
Epic stories, especially 'quest narratives' like 'The Iliad' and 'The Odyssey,' are brilliant structures for storytelling. The quest lends itself to episodic storytelling.
I've been quite lucky in that I've managed to tick off a few of my dream roles, really. Beyond that, you wait for the next script to come in that will have the dream role that you don't know exists yet, I suppose.
Good storytelling doesn't have to be in the form of the classics. It doesn't have to be revered by everybody. In fact, to me, the best storytelling is not universally loved by every single person. I think you can water down the ethicacy of the work, itself.
I think that if you have a knack for storytelling, and you work really hard at it, you'll have a chance to tap into something deep. But the fact remains that good sentences are hard won. Any writer worth a lick knows constructing a sentence, a paragraph, or a chapter is hard work.
Not knowing what's happening, from script to script, as an actor and as a character, lends itself to the same tension and anxiety of not knowing what's happening.
I like to start with the first chapter, end with chapter 40. No flashbacks, nothing fancy, just a direct storytelling.
The one thing in most communities, the staple is the basketball court. And when that looks good, I think the community feels good about itself, knowing that people care and have an opportunity to not only play there, but it's also a social meeting place.
I think closing-off is the most detrimental thing we can do as people. Also, the idea of not judging oneself.
My dream is to one day own a country house on the shore in England, have gotten married, wipe some debt off and get a few more good films.
Even though I have so many things to figure out, I'm very much at peace. I don't feel like I'm closing the chapter on this phase of life - I feel like I'm closing the book and starting a new one.
Electronic music lends itself to an abstract way of storytelling, so it keeps evolving. Theres a whole movement truly driving music further and there is no other music innovating as much as film music
Harvard was also a little bit of a villain in my first book, 'The Dante Club.' I guess there might be a way to make Harvard more of a sympathetic presence, but it's such a powerful institution that it more naturally lends itself toward not necessarily a negative but an obstructionist element in a story.
It's hard because I think I fall into this in-between space where there's something that's innately feminine about me, and there's also something that's kind of androgynous. I carry myself somewhere in between, and I think my music lends itself to that as well.
I don't think that digital technology will ever take away the humanity of storytelling, because storytelling is entirely, in and of itself, a wholly human concern.
People are saying, "I have a right to my opinion. Don't just keep condescending, telling me what to think." There's something slightly liberating about that, but also it lends itself to being taken advantage of, because in come the demagogues.
Self-esteem creates natural highs. Knowing that you're lovable helps you to love more. Knowing that you're important helps you to make a difference to to others. Knowing that you are capable empowers you to create more. Knowing that you're valuable and that you have a special place in the universe is a serene spiritual joy in itself.
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