A Quote by Milo Ventimiglia

You have to have sympathy for the villain. Even the most disgusting ones, you have to find something to connect with. I try to put as much of myself in every single character that I play.
Empathy is much bigger than sympathy. When the character is empathised with, that means you have succeeded as an actor. So even if it's a villain, the audiences don't hate you... they understand why you have turned into a villain.
I try to find something in everyone that I play - even the most heinous ones. You have to find something that is real and vulnerable about everything that you play.
I love actors. I enjoy their company, and I get excited each and every time they bring a character I've written to life. Every so often a talented actor doesn't hook in correctly to a character; or someone gets lost in a labyrinth of over-complicated thoughts, and the character and play suffer. However, most of the time I find actors either end up doing exactly what was in my head, or sometimes do something even better.
I always try to find something I admire about every character I play.
Every role you play is literally - and I've said this before - every single role that you play, the only way you can connect to that character is because that was a piece of you that was scattered around that yard, almost like we got caught up in some whirlwind.
Every role you play is literally - and I've said this before - every single role that you play, the only way you can connect to that character is because that was a piece of you that was scattered around that yard, almost like we got caught up in some whirlwind
You've got to love the villain if you have to play him. You've got to find something that you can live with in yourself if you're going to play the villain in a play on stage.
I made a promise to myself that I would try to introduce something unexpected in every single episode of the series. It was largely to amuse myself as much as anything. I didn't ever want the audience to feel that they knew everything.
I try to put myself into whatever character I play.
To be completely honest, it's shocking to me that I keep getting the villain roles! I do not see myself as the villain and I know, growing up, I was the opposite of a villain. I would never try to be a villain to anyone - but maybe other people I grew up with feel differently about that.
I don't really try to judge any character that I play, afterwards I figure it out, but while I'm working on the character, I have to find something in them to relate to.
Every character thinks differently, and every character has a different energy and way that they tick. But to find a character like Kai, who is so far that he doesn't even feel things, he is so different from me. That is the most exciting part.
For me, mood is something you have to ignore. I try to put myself in that position when I'm shooting and try to react the way I would. I try not to play funny if it doesn't call for that.
I try and find a way to love every character I play.
I try to find out what there is in the character that in a way, you can't put into words. If I could put it into words, then it wouldn't be a performance. And if I do put it into words, as I play it, I start to get boxed in by those words.
I want to keep an element of myself in every character I play. And maybe that's connected to finding something that you like in every character. Maybe they coincide.
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