A Quote by Milo Ventimiglia

I think there's this idea that the depth of an actor's performance is built on tough times or horrible events or isolation, but I never found that. I figured that my imagination coupled with the story can get me anywhere.
You cannot judge the performance of an actor in isolation. A performance becomes good because of so many factors, including the other actors.
I call 'em complaining machines. Things are never right with a guy to them. And man, when you throw that hysteria in there ... forget it. I gotta get out, get in the car, and go. Anywhere. Get a cup of coffee somewhere. Anywhere. Anything but another woman. I guess they're just built different, right?
I made the rules I figured I could be the one to break them. I thought I would write about xenophobia, a hatred of foreigners. After I stated writing the story there was not a foreigner to be had. I did not want to just stick one in there so I could get a title out of it since it seemed like cheating. I never figured out how I could get out of this dilemma so I just called it X and weaved X traits into the story.
That's why our comics are important: they're pointing things out and laughing at the same time. There have been horrible, horrible times in history. They're mostly horrible times. But not to laugh? Not to find humor in something like dark optimism/bright pessimism - I think that's sad, frankly.
An idea not coupled with action will never get any bigger than the brain cell it occupied.
I think basketball harnessed and built my toughness and competitiveness. I grew up in a tough neighborhood, and you were either going to cry and moan about it or get tough.
For me, some of the happiest moments on a live-action film are the awkward moments. One actor says something to another actor. They didn't expect that performance from that actor; that affects their return performance.
I had no idea that that was around in the family anywhere. Maybe it never was. But - so they broke the way for me, if you know what I mean. I have no idea where I got the idea from to do what I do. But I think they - Ian and Alistair, my brothers kind of opened a lot of doors for me onto the world - you know, made it seem to be a very, very interesting place.
I think the real problem is that nobody buys albums anymore, so you don't get the depth of the artists that are out today. What you get is whatever they felt is politically correct to get on there and actually make some impact. I think that's where you're losing your depth. You're only getting the very top of everything. It really bothers me.
Without 'Santini,' my life as an actor would never have had any of the depth or, at least, nothing like the depth it has now.
I have a whole regimen to my day: my vocal warm-ups, my prayers, my meditations... I pray three times a day. I try to have a real experience praying, not just do it. I really get deep into the idea and really try to get somewhere with it, to have an in-depth understanding of the idea.
You can go anywhere in the Premier League and it's going to be tough. Every single game is so tough. So I think if you make it, and you're lucky enough to play in the Premier League, I don't think there's a need to go anywhere.
Time and again-from the collapse of the Soviet Union to the events of 9/11 to the onset of the Arab Spring-events have caught the experts, whether in government or on the outside, completely by surprise. Business owners with comparable performance records go bust. Brokers lose their clients. Physicians get sued for malpractice. Yet think-tankers and policy wonks continue to opine, never pausing to reflect on-or apologize for-their spotty records.
As an actor I can bring the story, the narrative in each performance. If I can't do that, then... might as well give up as an actor, hadn't I?
You can say something that can really help and actor and you can say something that can really get in the way of an actor's performance, kind of cut them off from their instincts and really get into their heads. And every actor's different. Every actor requires something different. Being an actor, for me, was the greatest training to be a writer and director.
I began to wonder whether anything truly existed, whether reality wasn't an unformed and gelatinous substance only half-captured by my senses....If that were true, each of us was living in absolute isolation. The thought terrified me. I was consoled by the idea that I could take that gelatin and mold it to create anything I wanted...At times I felt that the universe fabricated from the power of the imagination had stronger and more lasting contours than the blurred realm of the flesh-and-blood creatures around me.
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