A Quote by Milo Ventimiglia

I think, being a kid, you always think about being a movie star. And then as I got older, I started thinking about just the work. — © Milo Ventimiglia
I think, being a kid, you always think about being a movie star. And then as I got older, I started thinking about just the work.
Everybody's a multifaceted, emotional, living being, I think. Sometimes it's fun to goof around, sometimes you've got to think about things, sometimes you've got to be strange, and then you've got to be jiggly. That's just what being a human's all about.
I don't think about being famous, really. Being an author, I don't generally get stopped as I walk down the street. It's not like being a movie star.
I try to not think too much about how stuff gets seen as it's being done by a woman. Because if you think about it, then you end up thinking about how you're acting, and if you are thinking about how you're acting, then you are preoccupied and you're going to end up being insincere. You're kind of not present.
Lying about one's sexuality seems to be one of the ridiculous rules of what constitutes being a Hollywood movie star. Obviously, my own experience of working and continuing to work as an out gay actor is exactly that - working as an actor and not as a movie star. I don't think the two are the same.
I'm not really a movie star. No matter what I do in acting, whether I'm good, how much work I get, whatever, I never will be a movie star. Because I never think of myself as one. You are a movie star because you think of yourself as a movie star and always have.
I get more out of life just being myself, by just being a human being. Not by being a rock star, not by being whatever. Sometimes I act like a jerk, but I think people respect me for being myself. That's the ultimate thing about the Smashing Pumpkins.
When I think about 1999, I think about being a 19-year-old kid, and I think about my attitude and behavior just toward women with respect objectifying them.
When I have to score a film, I watch the movie first and then start thinking about it. And from that moment on, it is as if I were pregnant. I then have to deliver the child, so from that moment on, I think always about the music - even when I go to the grocery store, I think about it.
I love humor in writing, so I've written to the thing that's funny, there's the joke, but then I just kept going. I started thinking about all the bikes I've had stolen, and that got me thinking about crime, and that got me thinking about the city I'm in.
I didn't really think about being a movie star. I was more about theater.
I think being a movie star is about whether an audience can watch you and care about you.
I've been embracing aging. I always have, since I was a kid. When you're the kid on the set for so long, you just, like, daydream about being older.
When I was young, I wanted to be a movie star. But I realized that you have no control being an actor. So I went to architecture school in NYC, because I was crazy about buildings. Then I began to realize that I got more excited about Vogue coming out each month than I was about my projects.
Now that I'm an older woman, I'm so much more aware of the changes - almost too aware. I feel sorry for being so dismissive. You have to think about what you're thinking about and realize that you're thinking it.
People don't just get upset. They contribute to their upsetness. They always have the power to think, and to think about their thinking, and to think about thinking about their thinking, which the goddamn dolphin, as far as we know, can't do. Therefore they have much greater ability to change themselves than any other animal has.
Fame is not just about being able to get out of a limo in Leicester Square, it's about trying to get into your house when there are eight photographers outside. When you think about being famous, you don't think about all that stuff. You think about the glamour.
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