A Quote by Milo Ventimiglia

Acting is very sacred. Anyone who stands in front of a crew with the camera recording their emotions is a brave individual. — © Milo Ventimiglia
Acting is very sacred. Anyone who stands in front of a crew with the camera recording their emotions is a brave individual.
I could never imagine myself acting in front of a camera or doing anything in front of the camera. I was a very shy girl.
While acting, you just go with the flow of what you are feeling, but dubbing requires recreating and reliving those emotions all over again. So it's very necessary to match up to the performance in front of the camera.
When you're acting in front of a camera, you can really give all of your emotions with your eyes so the camera can see it. When you're in voiceover, you can't do that at all. It's a lot tougher because you have to convey this emotion, and you have to have a lot of trust in the animators.
If a person is in front of a camera, they're acting. It's not possible to live in front of a camera.
A lot of the time with an independent production, you go onto the set, and you rehearse it in front of the crew, and at that point, the cinematographer takes over. You start accommodating the camera instead of the camera accommodating you.
'Scandal' has been, for me, the most consistent time I've ever logged in front of a camera. I grew up in the theater, and I feel very confident and comfortable on the stage and in front of a live audience, but the camera is a very different medium.
It is very difficult for me to accept the fact that I am acting in front of the camera.
At some level, you've got to have the ability to - especially in film and in front of the camera, you got to have the ability to drop into character and close off the entire crew and the camera and everything else.
I was very shy about acting. I thought you had to be confident. I was confident with my friends, but I would never think of acting in front of anyone else.
I definitely knew that I loved acting from the very beginning. I was such a ham growing up. Wherever the camera was, I wanted to be right in front of it.
Everywhere we walked we got plenty of attention due to the camera and sound men. The locals love to get on camera. [...] I'd seen footage of Gandhi surrounded like this and always thought it was because he was very popular, but now I wonder if it was just because he had a camera crew with him.
While working with a camera crew supervising flight testing of advanced aircraft at Edward's Air Force Base, California, the camera crew filmed the landing of a strange disc object that flew in over their heads and landed on a dry lake nearby. A camera crewman approached the saucer, it rose up above the area and flew off at a speed faster than any known aircraft.
Acting, to me, is being given the freedom and ability to play, and that's - that's what I love most about it. I feel very comfortable in playing, whether it be in front of a camera or on stage.
We were in production on a movie called All the Real Girls, which filmed in the Fall of 2001, and we really discovered who Danny McBride was, as an actor. When I say we, I mean me and a crew and a small audience that would hit the art house. He'd never acted before, and it was a really refreshing, eye-opening experience to watch him unleash, in front of the camera, all this comedic potential that we knew he had, as a human being and as the guy doing keg-stands at the party.
It was extremely useful to grow up in front of the camera. It gives the camera no significance. I think it helped me have perspective on things. The attraction that Hollywood can have, I feel like I'm over that. Instead I just concentrate on acting.
I still enjoy acting. I love the moment in front of the camera, but it's all the other moments that I don't enjoy. The 'business' aspect of it, the gossip. I really dislike about 99% of what I do, but I like that 1% when I'm on camera.
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