A Quote by Milo Yiannopoulos

I hope to offend every reader. — © Milo Yiannopoulos
I hope to offend every reader.
I think if a book has the power to move a reader, it also has the power to offend a reader. And you want your books to have power, so you just have to take what comes with that.
The book is finished by the reader. A good novel should invite the reader in and let the reader participate in the creative experience and bring their own life experiences to it, interpret with their own individual life experiences. Every reader gets something different from a book and every reader, in a sense, completes it in a different way.
Every reader of your ad is interested, else he would not be a reader. You are dealing with someone willing to listen. Then do your level best. That reader, if you lose him now, May never again be a reader
You imagine a reader and try to keep the reader interested. That's storytelling. You also hope to reward the reader with a sense of a completed design, that somebody is in charge, and that while life is pointless, the book isn't pointless. The author knows where he is going. That's form.
And then the spirit brings hope, hope in the strictest Christian sense, hope which is hoping against hope. For an immediate hope exists in every person; it may be more powerfully alive in one person than in another; but in death every hope of this kind dies and turns into hopelessness. Into this night of hopelessness (it is death that we are describing) comes the life-giving spirit and brings hope, the hope of eternity. It is against hope, for there was no longer any hope for that merely natural hope; this hope is therefore a hope contrary to hope.
Ranganathan's 5 Laws: Books are for use. Books are for all. Every book its reader, or every reader his book. Save the time of the reader. A library is a growing organism.
Do you want me to apologize after every joke? If it doesn't offend somebody it's probably not a joke. It's probably an observation that's not funny. It's gotta offend somebody somewhere.
Every reader, as he reads, is actually the reader of himself. The writer's work is only a kind of optical instrument he provides the reader so he can discern what he might never have seen in himself without this book. The reader's recognition in himself of what the book says is the proof of the book's truth.
The idea that the reader is important enough to me that I'd tailor my words to either please or offend them always seems amusingly alien to me.
I found Jerusalem to be a tourist trap. I hope that I don't offend anyone by saying that.
Every reader gets something different from a book and every reader, in a sense, completes it in a different way.
What you discover about people you try not to offend is that you can offend them without trying.
We should never intentionally offend, but if you follow Jesus, you will offend religious people.
It's OK to offend people with the Gospel, but, good grief- let's don't offend them with something else.
Never offend people with style when you can offend them with substance.
In reality, every reader is, while reading, the reader of his own self.
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