A Quote by Milton Friedman

I think a major reason why intellectuals tend to move towards collectivism is that the collectivist answer is a simple one. If there's something wrong, pass a law and do something about it.
It's far easier to write why something is terrible than why it's good. If you're reviewing a film and you decide "This is a movie I don't like," basically you can take every element of the film and find the obvious flaw, or argue that it seems ridiculous, or like a parody of itself, or that it's not as good as something similar that was done in a previous film. What's hard to do is describe why you like something. Because ultimately, the reason things move people is very amorphous. You can be cerebral about things you hate, but most of the things you like tend to be very emotive.
When something goes wrong, the natural tendency is to say, "By God, we need to pass a law and do something."
I was a sociology major. And it had nothing to do necessarily with law, which is ultimately - I went to law school. But what I tried to do was choose something that I was passionate about or something that I cared about.
When you do calculations using quantum mechanics, even when you are calculating something perfectly sensible like the energy of an atomic state, you get an answer that is infinite. This means you are wrong - but how do you deal with that? Is there something wrong with the theory, or something wrong with the way you are doing the calculation?
What's hard to do is describe why you like something. Because ultimately, the reason things move people is very amorphous. You can be cerebral about things you hate, but most of the things you like tend to be very emotive.
I love the 'Daily Show,' and I think Jon Stewart is hysterical. But literally, the answer to every single problem is, 'Congress should pass a new law.' It's this unbelievably optimistic view of, 'We can pass a law, and then everybody will get along.'
I think, as an artist, the overall goal is to teach and educate no matter what the song is about. Somewhere where a listener can get something out of it, something that can give them help to move forward, help them learn something, analyze something in a different way, or think about something.
If I had to, I would ask first of all: why do things move in your work? It's the most simple, and also the most complicated, question. And I answer: things move because if they didn't move, they might move?.
I like films that deal with some of those questions that you can never answer. Why are we here? What's it about? What happens to us with the choices that we make? What are the ramifications for doing something right, or doing something wrong? Those universal questions, I enjoy.
I like films that deal with some of those questions that you can never answer: 'Why are we here? What's it about? What happens to us with the choices that we make? What are the ramifications for doing something right, or doing something wrong?' Those universal questions, I enjoy.
Perhaps we are looking at this from a wrong perspective; this search for the truth, the meaning of life, the reason of God. We all have this mindset that the answers are so complex and so vast that it is almost impossible to comprehend. I think, on the contrary, that the answers are so simple; so simple that it is staring us straight in the face, screaming its lungs out, and yet we fail to notice it. We're looking through a telescope, searching the stars for the answer, when the answer is actually a speck of dirt on the telescope lens.
Something good happened to my writing when I stopped being afraid to do something simple, for the fear that people might think I couldn't do something more complex. Don't be confused by the word simple. Simple is not easy, it is clear voiced, and fearlessly elegant.
If your audience doesn't like something, you should think to yourself, "Well, why don't they like something? Is there something wrong here?" And, if they like something, you should think to yourself, "Why do they like it? What am I doing right here?," and deal with those issues.
Tulips come up in spring for no reason. Of course, you planted bulbs and now in April the earth warms up. But why? For no reason except gravity. Why gravity? For no reason. And why did you plant red tulip bulbs to begin with? For beauty, which is itself and has no reason. So the world is empty. Things rise and fall for no reason. And what a great opportunity that is! You can start writing again at any minute. Let go of all your failures and sit down and write something great. Or write something terrible and feel great about it.
The only reason why I tend to pass on a movie is either I don't think I'm right for the material and can't play it honestly, or because of time constraints with personal things in my life.
I think just as armament had a major impact of a negative kind in the world, education is something which has a major impact of a positive kind in the world. And I think the American population, with its humanity and with its concern about the future of the world, has a real reason to think about what it can do to help the world in expanding education.
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