A Quote by Milton Friedman

Money is a very powerful thing, which you hardly notice when it goes right, but which can create havoc when it goes wrong. — © Milton Friedman
Money is a very powerful thing, which you hardly notice when it goes right, but which can create havoc when it goes wrong.
I think it is unnatural to think that there is such a thing as a blue-sky, white-clouded happy childhood for anybody. Childhood is a very, very tricky business of surviving it. Because if one thing goes wrong or anything goes wrong, and usually something goes wrong, then you are compromised as a human being. You're going to trip over that for a good part of your life.
Bliss is a thing which is always there and is not something which comes and goes. That which comes and goes is a creation of the mind.
This is just the way it goes: there's always a cycle with music - it goes up and it goes down, it goes risque and it goes back, it goes loud then it goes soft, then it goes rock and it goes pop.
I think recreations are a good thing if done right because it can be very dangerous also. If you do something which goes wrong, then people probably won't like it because they are attached to that old version of the song... So, recreations can be a little tricky.
The soul of man is not a thing which comes and goes, is builded and decays like the elemental frame in which it is set to dwell, but a very living force, a very energy of God's organic will, which rules and moulds this universe.
When you speak to a man or a woman about money, they will use water visualizations. For men, it typically is a river. Money comes in; money goes out. The level rises; the level sinks. For women, when you talk about money, to her... it's a pond. It's a set amount. She husbands it, and it typically goes in one direction... which is down.
The ghastly thing about being a producer is that, once the curtain goes up, there is nothing you can do. At least when you are in it, you have some measure of control. If something goes wrong, you can maybe put it right. When you are in the audience, there is nothing you can do.
As the family goes, so goes the nation and so goes the whole world in which we live.
In sport, the money goes to the talent; it goes directly to the worker - unlike a bank, which sits in the middle of transactions and whose income bears no relation to any of the services it provides.
No, nothing is sacred. And even if there were to be something called sacred, we mere primates wouldn't be able to decide which book or which idol or which city was the truly holy one. Thus, the only thing that should be upheld at all costs and without qualification is the right of free expression, because if that goes, then so do all other claims of right as well.
Living in the city is a discordant thing, an unnatural thing. The city, a place to which one goes to do business, is a place where men overreach each other in the fight for money. But it is not a place in which one can live.
A right which goes unrecognized by anybody is not worth very much.
The recurrent laryngeal nerve - which runs from the head to the voice box - goes all the way down into the chest, loops around a major artery, then goes all the way back up again. It goes right past the larynx on the way down. All a decent designer would have to do is loop it off at that point. What we're looking at is the legacy of history.
I made a movie in Germany called 'The Chambermaid' - it was very, very small. I think it cost €70,000 to make. I even put some money in and raised some money for it. It was real German arthouse... It goes, somehow, out there on the Internet, and it goes on iTunes.
Then at the top of the hill, the road forks. Which just figures. "You gotta be kidding." I say. One part of the road goes left, the other goes right. (Well, it's a "Fork" ain't it?)
On the question of taking credit for what goes right and blame for what goes wrong - having led the Conservative party for four years, I have never heard of this notion before.
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