A Quote by Min Jin Lee
The omniscient narrator is a bizarre technique, when you think about it, and no one uses it much anymore. But for the novels I want to write, it's the only approach that makes sense to me.
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As an artist, my wheelhouse is 19th-century literature. I want to write realist novels in a Victorian sense, and the writers I admire in that style tend to do omniscient narration.
I write my novels personally, desperately and non-negligently. When I write my novels, I think about my novels only, and never do other works.
The thing I love about Dickens is the omniscient, omnipotent narrator, and the great confidence of the narrator, which marks 19th-century novelists in general and Dickens in particular.
If someone tells you that George Bush is not the 43rd president of the United States, they might be engaged in wishful thinking, or denial, but if they make that claim, it's either true or false! And you can assess that, regardless of whether there's an omniscient narrator, or an unreliable narrator, or it's shot in vérité, or it's manipulated, it's agitprop, whatever! It makes no difference! It's a style!
Stories about mental aberration and oddity only make sense in context. Just how do people live with someone who is peculiar, gifted, strange or alien? It's odd because there's a little part of me that wants to write about exotic, strange bizarre subjects. Instead, I've rather reluctantly realised that what I write about is families.
I love writing novels, but I'm very fearful about writing something from absolute scratch. I kind of don't have the time to write something from scratch. I think when my knees completely give out, and I can't make films anymore, I would try to write novels from scratch.
I think there's a false division people sometimes make in describing literary novels, where there are people who write systems novels, or novels of ideas, and there are people who write about emotional things in which the movement is character driven. But no good novels are divisible in that way.
Whenever anyone declares having read a book of mine I am disappointed by the error. That’s because my books are not to be read in the sense usually called reading: the only way it seems to me to approach the novels that I write is to catch them in the same manner that one catches an illness.
When you pick up a book, everyone knows it's imaginary. You don't have to pretend it's not a book. We don't have to pretend that people don't write books. That omniscient third-person narration isn't the only way to do it. Once you're writing in the first person, then the narrator is a writer.
'Ordinary Grace' freed me. I don't have to write only Cork O'Connor novels now. I'm liberated. I can write whatever I want to write.
I don't want to write every week, it's too much trouble, and I shall only write when I want something. If you think I'm sick when I don't write, you can send for me to come and tell you.
People always ask me, 'Why do you only write about heartbreak?' I think I only write when I'm broken, so that's just what happens. It makes me feel better, but having some distance helps.
I've been thinking a lot about why it was so important to me to do The Idiot as a novel, and not a memoir. One reason is the great love of novels that I keep droning on about. I've always loved reading novels. I've wanted to write novels since I was little. I started my first novel when I was seven.I don't have the same connection to memoir or nonfiction or essays. Writing nonfiction makes me feel a little bit as if I'm producing a product I don't consume - it's a really alienating feeling.
I write what I want to write. Period. I don't write novels-for-hire using media tie-in characters, I don't write suspense novels or thrillers. I write horror. And if no one wants to buy my books, I'll just keep writing them until they do sell--and get a job at Taco Bell in the meantime.
I don't want to talk about today's market anymore because nobody can make sense of what the market is. It's all over the map. There's a bunch of lunatics out there throwing money away. I'm sick and tired of it. It's lunacy. Punch me in the head and tell me I'm stupid, but that's the way I feel. There's no sense to it anymore.
I don't care what you say about me anymore! I don't care what you write about me anymore. I don't care! This is my life. I can't have anybody messing with my life. I just want to be Gerry Cooney, doing what I want to do. I want to be what I am. A fighter.
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