A Quote by Min Jin Lee

I've often felt like an outsider, not necessarily because I'm Korean, an immigrant, or female. I think writers are odd people. — © Min Jin Lee
I've often felt like an outsider, not necessarily because I'm Korean, an immigrant, or female. I think writers are odd people.
I often felt myself to be an outsider, which is great training for all writers.
South Koreans often don't think of North Korean defectors as Korean. While we have been granted citizenship, the locals don't consider us as South Korean citizens. We are often treated differently and viewed differently, even by people who care for us the most.
I think a lot of people compare female writers or female comedians to each other in a way that men are not. Male comedy writers are not scrutinized.
I guess they often cast me as the bad guy, because I'm not, er, conventional looking. I look sort of violent. I'm the odd one out, the outsider.
Most writers begin with accounts of their first home, their family, and the town, often from quite a hostile point of view-love/hate, let's say. In a way, this stepping outside, in an attempt to judge enough to create a duplicate of it, makes you an outsider. . . . I think it's healthy for a writer to feel like an outsider. If you feel like an insider you get committed to a partisan view, you begin to defend interests, so you wind up not really empathizing with all mankind.
I just felt drawn towards the kind of music that really needed a strong female presence female writers, female producers, female figures and that just kind of unfolded on its own.
I couldn't wait to be an adult woman, and I'm glad I felt that way as a kid because, when I grew up, I realised I live in a world where the female form is really disrespected, and society is often trying to wrestle the female form into a shape that looks more like a young boy.
I think that people in general, whether they are male or female, who are inhibited by the clichés of what women are or what men are, really don't like themselves. Because personality traits are not necessarily sexual.
Well, when you're an immigrant writer, or an immigrant, you're not always welcome to this country unless you're the right immigrant. If you have a Mexican accent, people look at you like, you know, where do you come from and why don't you go back to where you came from? So, even though I was born in the United States, I never felt at home in the United States. I never felt at home until I moved to the Southwest, where, you know, there's a mix of my culture with the U.S. culture, and that was why I lived in Texas for 25 years.
I have often felt like I was the only one fighting against female genital mutilation. There is still a huge taboo surrounding the topic, because it involves the most private parts of the female´s body. But whenever I feel like this is too much for me to do, I read e-mails and messages I receive every day from people thanking me for speaking up for them, for giving them a voice. These messages let me know that I am not alone, and that what I do is worthwhile.
I don't think the mainstream media understands people of color are multidimensional. For some reason, there's an idea that only white people are relatable. I don't think it's necessarily racist. But it's odd, because the people who watch the most television are black women, so we should be represented in more ways.
I've felt like an outsider all my life. It comes from my mother, who always felt like an outsider in my father's family. She was a powerful woman, and she motivated my father.
Alan Turing, to me, always felt like an outsider's outsider.
I grew up in a high school where it was very conservative, and I felt like people disapproved of me, and I felt like an outsider.
I've always been an outsider. I am an outsider in Garbage. I'm the odd one out by default.
I think it is so important to have voices in the decision-making process that are sensitive to the groups that your show or your production represents. In the case of 'Kim's Convenience,' that was Korean Canadians, that was East Asian Canadians, and we rightly felt like we didn't have that voice in the writers' room or at the creators' table.
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