A Quote by Min Jin Lee

If I meet a wise person, I think, 'Yes, tell me more about parenting, about marriage, about how to stay in love. Tell me more about how to be a decent person living in a world that's filled with chaos.'
I think you reveal yourself by what you choose to photograph, but I prefer photographs that tell more about the subject. There's nothing much interesting to tell about me; what's interesting is the person I'm photographing, and that's what I try to show. [...] I think each photographer has a point of view and a way of looking at the world... that has to do with your subject matter and how you choose to present it. What's interesting is letting people tell you about themselves in the picture.
I don't think there's a right or wrong things in your style. It's about how you clearly reflect who you are; how you more clearly tell the story. Who are you? How do you want to transmit that to the world, and how do you more clearly say that? Then I have a philosophy, FFPS: fit, fabric, proportion, and silhouette. Proportion's everything, really, knowing your body and understanding that. Those things have been really crucial for me. It's about being clear about the story you want to tell to the world about who you are - and maybe a little bit of FFPS.
It's about how you exist as a person in the world, and the idea that your work is more important than you as a person is a horrible, horrible message. I always think about a little gay boy in Wisconsin or a little lesbian in Arkansas seeing someone like me, and if I cannot be open in my life, how on earth can they?
If I haven't played with a player before and I don't know anything about them, the more they tell me about themselves, the better I will be able to judge how they think and how they play.
How about something more interesting? How about you come forward and say, [Donald] Trump supporters, I absolutely know what you think about the Republican Party and the Republican establishment and how disappointed you are. Guess what, I'm going to tell you what you're right about. What they've disappointed about. The Republican Party is always eager to tell you the flaws of the Democratic Party. Take Trump supporters seriously by conceding what is true about their critique of the GOP.
I couldn't tell you what was my last performance before I was incarcerated. I couldn't tell you what last meal I had, or anything of those things because I didn't think about it; it wasn't important to me. I think about it now. I can tell you everything I ate for the past week. I think that alone makes me a better person.
How do you tell someone that you weren't the person he thought you were? And more importantly, how did you tell him that you'd meant the things you'd said, when everything else about you turned out to be a lie.
Tell me how a person judges his or her self-esteem, and I will tell you how that person operates at work, in love, in sex, in parenting, in every important aspect of existence - and how high he or she is likely to rise. The reputation you have with yourself - your self-esteem - is the single most important factor for a fulfilling life.
If I meet someone who's Native American and I don't know anything about indigenous people in New Jersey - which I kind of don't, which is not really good - I can learn more and more about their lives, and that makes me a more open person and a more accepting person.
What excites me about picture books is the gap between pictures and words. Sometimes the pictures can tell a slightly different story or tell more about the story, about how someone is thinking or feeling.
When I made 'Monster,' I didn't think about it being about a woman. I didn't think about that she was a lesbian. I was telling a story about a specific person who was tragic and looking for love in the world, and the more I could make her you, the more of a victory.
When people say stuff to us casually in reviews, if they write about it in a condescending way with really gendered language, that's not really about me. It used to hurt my feelings more than it does now. That's not about us as a band or me as a person. That's about how you feel about women, and that's a societal thing.
I married my husband because I loved him, and I don't feel like there's anybody missing from our marriage, but when you think about this person that you love, and you think about what a wonderful thing it would be to bring another person like that into this world, I think that's the hardest part about all of it.
The most fundamental thing about a person is desire. It defines them. Tell me what a person wants, truly wants, and I'll tell you who they are, and how to persuade them.
I think 'Chris' is way more about that, about living desire as a force of chaos and about reveling in that chaos.
I think everyone is always asking themselves, How is my work meaningful, how is my life meaningful? As I get older, I feel like who I am as a person and a citizen is more important than who I am in my work. But I do think it reframed slightly for me, how much I have to care about a project in order to want to do it. Sometimes, obviously, you have a take a job for money. But I think I'm quicker now when I get a script that's, say, borderline misogynist, I'm not going to go in for it. I'm thinking more about what I'm putting into the world.
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