A Quote by Min Jin Lee
I think it's not an accident that you don't have that many Asian American women writers who are breaking out. I don't think it's an accident that you don't have that many Asian American writers, either women or men. I don't think that immigrants are encouraged to become artists. That's very gendered and racialized and ethnicized.
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My brother often complains to me about the 'angry Asian male' in the United States. As a female, I haven't encountered this, but Asian-American men are angry. They're angry because, for so many years, they've been neglected as sex symbols. Asian women have it much easier, I think; we're accepted into various circles.
I wish reporters were more in tune to the difference between the Asian experience and the Asian-American experience. I think often they lump the two together and think that when I talk about Asian-American narratives that they can cite 'Crouching Tiger, Hidden Dragon' or 'Mulan' as proof of concept when it's a different experience.
I grew up in a household where there were really, really strong matriarchal characters. I think that's true of many Asian households. People tend to think of Asia as a misogynistic society or a society where men rule. At least in my experience, the women rule the household; the women rule the social scene. The men often become very useless.
We have a lot of heroes. We have Asian heroes, we have Asian American heroes, men, women, of all ages, and not all of them do martial arts. But that doesn't mean that they don't have their own arcs, their own stories, their own subtleties and nuances. And I think that's what's important.
We cannot educate white women and take them by the hand. Most of us are willing to help but we can't do the white woman's homework for her. That's an energy drain. More times than she cares to remember, Nellie Wong, Asian American feminist writer, has been called by white women wanting a list of Asian American women who can give readings or workshops. We are in danger of being reduced to purveyors of resource lists.
I see so many talented writers of color struggling to get their work out to an audience. I know that's the case for all writers - everyone's struggling for attention - but I do think that for writers of color it's harder, and for women it's harder, and for regional writers it's harder, too.
I have a well-balanced show. It's 50/50 on men/women, and also African-American/white writers, it's the same thing. I have four African-American writers, and four non-African-American writers.
Growing up as an Asian American in this society, there were a lot of times where you feel isolated or out of place as an Asian. And growing up in White America, that's absolutely my experience. And I think that's why I got into acting because I wanted to be anybody else but Asian.
I have a theory about American men -- I think they think women are boys who don't know how to throw a ball very well. American women are forced into the role of being men without penises, of being men who haven't quite been able to make it. If women don't want to be pussycats, then they get forced into the role of being almost as good as men. Which is lousy.
I definitely have been approached and reached out to by a lot of young Asian American and Asian women, which has been really cool for me.
Maybe just as many women writers as male writers could be billed as the next great American writer by their publisher. Maybe book criticism sections could review an equal amount of female and male writers. Maybe Oprah could start putting some books by women authors in her book club, since most of her audience is women.
Comparing Asian writers mainly to other Asian writers implies that we're all telling the same story - a disappointingly reductive view.
In popular culture, there is this notion that African-American men and women can't get together, and we're having these issues. I think it's an American problem because I know a lot of white women and men who are having just as many issues trying to find 'that person' as anyone.
Asian American men, Asian men have been basically eunuchs in American cinema and television.
Does people not asking me about Asian American literature mean they don't see it as its own literary tradition? I certainly believe in it as its own literary tradition, because your race plays a great factor in how you are seen by the world, and how you see the world; the fact that I'm an Asian American isn't incidental to who I am as a writer. Where it becomes difficult is defining what, if anything identifiable at all, makes an Asian American book an Asian American book, other than the fact of its creator being Asian. And I'd argue that there is nothing identifiable beyond that.
My wife and I were worried, when we had our firstborn, about how he was going to think of himself in a mostly white neighborhood. Particularly Asian men, I feel, we suffer more than Asian women, because we're told we're not worth anything in general.
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