A Quote by Mina Kimes
If I feel something deeply about a subject that goes beyond Xs and Os or things that are happening on the field and I feel like I have something to add to the conversation, I will say it.
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I do feel like I'm in this lucky position where I can write something and people will read it, and I feel like I should say something that's probably worth saying... I feel like it's something worth saying, and one more person saying it is better.
Sometimes I'll go for something more because of the story, or more because of the director. But, generally, I have to feel like it's something that I have a real sympathy for - a person that I can completely go, "Oh, wow, oh, I'm there." Otherwise I don't feel like I will be able to pull it off at all. I know I haven't done everything very well in the past; some things have worked and some things haven't. But I need to feel like I can feel about the person, understand that person, I suppose.
I don't think bands should feel compelled to speak out unless they actually have something to say. I think that's a big mistake, where you're turning into a coyote running off the edge of a cliff. Too often, people just feel like something is happening and they want to be part of this thing, and it's just, there's sort of a "me too!" and that's about it.
I feel like there's something terrible and wonderful and amazing that's just beyond my grasp. I have dreams about it. I do dream, by the way. It hovers over me at odd moments. And then it's gone. I feel like I'm always on the brink of something that never arrives. I want to either have it or be free of it.
I feel a big obligation to the audience, almost in a moral sense, to say something useful. If I'm going to spend a year of my life on these things, I want something that I feel that strongly about.
There's something really magical about trying to see things in new ways that go beyond, in some sense, the biological human experience. Light-field photography, too, goes beyond the human experience because our eyes work like conventional cameras.
When I feel something in my gut, I can feel it physically. But my instincts seem to come from a different place - they feel headier to me, and I get the wrong scent, and go off on these whims where I think that something is happening when it's not.
What genres are good for is being like, 'Here are the parameters. Here's something about the way it's going to make you feel. And here's something about the subject matter.'
I just feel really good about my accomplishments. I haven't had, like, a party because a deal goes through or something like that. I don't know. I need to develop that - I need to have something that I do when things go right.
Where Miles Davis can make you feel things.That's what I'm looking for from young guys. I'm looking for somebody who not just has a command of the instrument, but can actually say something to make you feel something, make you think about something.
You might say that a creative person is a person who simply has a desire to have something, to add something to the world that's not there yet, and goes about arranging fort that to happen. When you desire a work of art and make it, you've added to the stock of art in the world. Artists are one of the people who can do that: add to the stock of things.
I've always known what I've wanted, but I used to be shy about expressing that in regards to my career. So I've become a lioness. If something's happening that I don't necessarily feel comfortable about, I will speak my mind. Or if I want to do something, I go for it.
Everything you deny is actually killing you on some level. You see something, you feel something wrong with your body, you pretend it's not happening, it goes on, it grows, it gets worse.
I feel like, as musicians, we need to fight the Spotify thing. I feel that in some ways what's happening in the mainstream is the last gasp of the old industry. Once that does finally die, which it will, something else will happen.
I feel like as musicians we need to fight the Spotify thing. I feel that in some ways what's happening in the mainstream is the last gasp of the old industry. Once that does finally die, which it will, something else will happen.
Each painting, I feel like I kind of might have gotten something. If I feel like I totally got it, there's probably something wrong and it's not finished. And if I really feel like I understand it then I'm done with these paintings and I'll have to do something else.
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