A Quote by Mina Kimes

Investigative pieces tend to be great stories because they haven't been told before. The process can be frustrating and stressful, but the result is often deeply rewarding.
We grow up being told about great figures in our society, and as you get older you have to question the stories you've been told and decide if these great figures are indeed as great as you've been told.
As an artist, I am interested in telling stories that haven't been told before, stories that are going to affect people, and also stories that shine light on areas of history that haven't had light shined on them before.
Changing people's preconceptions is something you have to do in order to search for truth. Of course normally, that's not done because it also challenges social stability, and stories, as a result, are often told much more simply.
Making art can be maddening at times and frustrating and not always rewarding, frequently not rewarding. But you do it because you believe in it and you do it as a passion that drives you, and it sustains you during those lean times.
There's something exhilarating about telling stories that haven't been shared before and haven't been told publicly before. The last thing I want to be doing is telling stories other people have already told. That's not to say that there isn't important work out there about people in positions of power, but I know my strength. Even when I was at the Wall Street Journal 10 years ago, this is what I wrote about.
I think the more web video there is, the more press you'll get, as well as all the people who want to tell stories that haven't been told before but can't do that on TV because different stories are a risk.
We are told about the world before we see it. We imagine most things before we experience them. And those preconceptions, unless education has made us acutely aware, govern deeply the whole process of perception.
They just take on great stories and they tell great stories. That's their only objective, at least that's been my experience, so as a result we were encouraged to push the envelope and not hold back. I hugely respect Marvel for that position.
The Huffington Post Investigative Fund's goal is to produce a broad range of investigative journalism created by both staff reporters and freelance writers, with a focus on working with the many experienced reporters and writers impacted by the economic contraction. The pieces will range from long-form investigations to short breaking news stories and will be presented in a variety of media - including text, audio, and video.
Most of the balls that I've dropped have been from a result of trying to run before I actually catch the ball. It's frustrating. I just have to go and fix them.
I just think of couture clothing as wearable art. So from - to that extent I, you know, I love having the opportunity to just even be able to touch and look at, you know, these pieces of design. In terms of, you know, is it stressful and does it take a lot of time. It's mostly stressful because you're there because you're nominated.
For me the printing process is part of the magic of photography. It's that magic that can be exciting, disappointing, rewarding and frustrating all in the same few moments in the darkroom.
I work in bits and pieces. When I'm touring it's difficult. After touring, when I have space and time, it's a process, something I've been doing since I was 10 or 11 years old. I collect lyrics, melodies, bits and pieces, and finally it all comes together. It's hard to say - I've been trying to figure out how the process works.
Writers tend to write stories as a kind of holiday between novels, or as preliminary steps towards a novel. Stories just don't often make up a writer's main body of work, and that's not because they don't see the market for it.
I have lost stories and many starts of novels before. Not always as punishment for 'telling,' but more often as a result of something having gone cold and dead because of a hiatus. Telling, you see, is the same as a hiatus. It means you're not doing it.
"My comfort is," said Susan, looking back at Mr. Dombey, "that I have told a piece of truth this day which ought to have been told long before and can't be told too often or too plain..."
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