A Quote by Mina Kimes
My process varies, but I usually start by reading everything I can, especially financial and legal filings. Then I build a list of all of the people I want to contact and send in requests for public records, if applicable.
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I've driven people mad on films that I've made - I want more takes; I want to try new lines. Then I want to interfere in the editing process, and I want to interfere in the advertising process - everything, everything. Pretty much Barbra Streisand in trousers, I am!
It was part of a financial situation. I could only afford records in thrift stores. Then you could find wonderful things, but now everything is a collectible. I like the recycling idea --using the stuff that people don't want anymore, and make new music out of it. There was an element of looking back and listening to your parents' records and doing something with that stuff. Sort of acknowledging the past while rejecting it at the same time.
When I was first elected to the House in 2006, it was important to me to send a clear message to the people of NY-20: I wanted to be a representative for the people and shed some light on their government, so I became the first member of Congress to post my schedule, my financial disclosures and my earmark requests all online.
Everything that I was reading the New Testament - everything was applicable to daily life - trials and stuff I was going through, everything matched up.
So many times I've heard people say that the right to marry for gay and lesbian couples won't really change anything other than some legal and financial stuff. It's a dumb argument: those legal and financial effects matter.
You want a better, more fraternal, more just world? Well then, start building it: Who is stopping you? Build it inside yourself and around you, build it with those who want it. Build it small, and it will grow.
Reading is everything. Reading makes me feel like I've accomplished something, learned something, become a better person. Reading makes me smarter. Reading gives me something to talk about later on. Reading is the unbelievably healthy way my attention deficit disorder medicates itself. Reading is escape, and the opposite of escape; it's a way to make contact with reality after a day of making things up, and it's a way of making contact with someone else's imagination after a day that's all too real. Reading is grist. Reading is bliss.
Once you start to provide public services that have to be run under public rules, for example child protection, then it has to go with public law. Institutions have to make a decision whether they want to do that or they don't want to do that.
I have a list as long as my arm but I find those lists sort of self-defeating because you start to name and then after [the interviewer] leaves the room you go 'Ah, I forgot this person or that person.' So I just don't do it anymore. Hopefully if you make work that people like, they'll get in contact with you.
If we're going to build hardware, the thing we want to do is build reading goggles, so you can do hands-free reading.
I'd sit at my kitchen table and start scanning help-wanted ads on my laptop, but then a browser tab would blink and I'd get distracted and follow a link to a long magazine article about genetically modified wine grapes. Too long, actually, so I'd add it to my reading list. Then I'd follow another link to a book review. I'd add the review to my reading list, too, then download the first chapter of the book—third in a series about vampire police. Then, help-wanted ads forgotten, I'd retreat to the living room, put my laptop on my belly, and read all day. I had a lot of free time.
I like people, I really do. I like meeting people. But most of the time I would rather be at home reading a book than reading in a bookstore. It's a performance, and it ends up being all right, and then you have a nice shot of bourbon afterwards, and it's all good. I want to please people. I want to be nice. I want to be liked. As a result I say yes to everything. But it takes a lot of vital energy out of me.
I hate when people send me LinkedIn requests.
I'm interested in feedback and learning what people want. It's a tricky thing for me when I do a set list. You get bored doing the same songs. Let's say we do one ballad in two hours, and it's "Wild Horses." If you say, I'm tired of that, let's try something less well known, and then you're out there stumbling through this song you just relearned at sound check, and you realize people probably want "Wild Horses" instead of this. You do need to do some songs that aren't so well known. The question is how many? I'm open to people posting their requests.
I try to give to most legitimate requests, but the amount of my contribution and my personal time varies greatly.
I've done that kind of stuff in records, where you start going back and you want to just redo everything, destroy everything, because you think it all sucks and you can do it better.
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