A Quote by Mindy Kaling

There are little Indian girls out there who look up to me, and I never want to belittle the honor of being an inspiration to them. But while I’m talking about why I’m so different, white male show runners get to talk about their art.
There are little Indian girls out there who look up to me, and I never want to belittle the honor of being an inspiration to them. But while I’m talking about why I’m so different, white male show runners get to talk about their art. I always get asked, ‘Where do you get your confidence?’ I think people are well meaning, but it’s pretty insulting. Because what it means to me is, ‘You, Mindy Kaling, have all the trappings of a very marginalized person. You’re not skinny, you’re not white, you’re a woman. Why on earth would you feel like you’re worth anything?’
When 'Center Stage' first came out, I had some little girls on an airplane who didn't want to actually talk to me but wanted to talk about me at the top of their lungs. And they took pictures of me while I was sleep. And you know what's the worst part? I get really, really airsick.
My humour comes from acknowledging different communities. That's what my fans are responding to - they know that I 'get it.' I understand them. I take the time to understand them. I get more complaints from people when I don't talk about them. I've had guys come up to me after a show and go, 'You didn't talk about Latvians!'
Whatever the press is talking about, they want to keep talking about it. So instead of asking yourself, 'How can I get them to start talking about me?', figure out a way to get yourself involved in what they're already talking about.
I want 'Scars to Your Beautiful' to reach different types of women. The girl I am talking about, it's me, it's you - it's every girl who has struggled with feeling not good enough. I want to talk about all the different extremes that girls go through to feel beautiful.
I'm not talking about Russia in my music. I've never been to Russia. I'm not talking about Africa, Switzerland, China. I'm talking about me being American and growing up in a crazy world and helping to reflect all different sides of life.
One thing that took a while to really adjust to was, you do it for the the art, for the money, for being together and having a good time, but you do it for all those people out there who really care about the show. We are now talking about a show we did over 20 years ago.
It's when I make a joke about Indian people and then a white person comes up to me and says, "That's wrong. You should not talk about Indian people," and the Indian people are over in the audience like, "I thought that joke was hilarious." That is so weird. Then why are you getting mad? You're burning unnecessary calories. You're getting made for the sake of getting mad. I don't understand it.
You don't get white comedians being asked to talk about their race in their shows. I should be given the same agency to talk about what I want to talk about.
My run cannot be touched. If you want to talk about longevity, you can speak the name Hogan. If you want to talk about white-hot, selling tickets, and taking the business to a height it's never been - and, with a hell of a supporting cast, I might add - you're talking about Stone Cold Steve Austin.
If the Trump White House and their allies in the media want to have this conversation about decency, I welcome them to the table to talk about it. But there's a bunch of stuff that they need to get caught up on before we get to a comedian at the White House dinner.
Marvin Gaye said there's a song inside of me and I can't get it out. And I know it's in there, and I can feel that it's in there, and I can't get it out. There's so much that I want to say, and I haven't been able to figure out how to say it in my art. I can only say it in ham-fisted, clumsy, nonpoetic ways, and I'm trying to figure out how to talk about life and talk about love and talk about pain and trials and tribulation in an artistic form.
We want to bring the kids, the parents, the grandparents and grandkids together, we want them to have a shared viewing experience. We want the kids to talk about it in the playground, dad to talk about it down the pub, grandma to talk about it while she's out shopping.
I talk with countries, whether it's the Arab states or in the Middle East, and they talk about how they're glad to see us fighting against Iran. I talk with different countries in reference to Syria, and we talk about how we can get the Iranian influence out. We're talking about North Korea and what we need to do and the pressure we need to put on China. They're happy that we're finally beating up on Russia for what they've done in the Ukraine.
For me music is central, so when one's talking about poetry, for the most part Plato's talking primarily about words, where I talk about notes, I talk about tone, I talk about timbre, I talk about rhythms.
The basic thing is to be humble, and pretend you're a bartender in the tavern of life. Don't get too comfortable and don't really listen to anybody else. Don't stand around with a bunch of writers and talk about writing. You know when you see plumbers at a plumbers convention, usually they're not talking about plumbing: they're talking about whatever it is that two men happen to talk about. They're talking about sports, their wives and children. I just tell my students, don't talk about writing too much, just go out and do it. Find out whatever you need to get to the mainland.
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