A Quote by Mindy Kaling
I notice that a little bit at The Office, with, like, an actor: If I decided there'd be a certain way in the script, it would still seem open-ended, whereas ... if I was a man I would not have seen that.
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There's obviously instances where I perceive sexism in my job. ... I think that the sort of sexism that I see has been one that's a little bit like a gentler form of sexism, but still a little bit debilitating, which is that when, as a producer and a writer, whether it was at The Office or [at The Mindy Project], if I make a decision, it'll still seem like it's up for debate.
I was still closeted, but from the day I decided to run for office, knowing that I was gay, I decided that I would, of course, still be closeted but that I would work very hard for gay rights. It would be totally dishonorable, being gay, not to do that. So I had that as kind of a secondary agenda.
I would go with my husband to the tailors where he gets his shirts made, and I would watch the bespoke process. I would ask them, "Would you be able to make that for me?" And they would always say, "Well, yes, but no." They were very French about it. I decided I would just do it for myself. And I started doing that. Then other people would notice, and want it. So I started doing things for friends, little pieces, and my own line grew that way.
We didn't have a script, but with Jean-Luc we didn't really need one. It was like an understanding between us. He would say, 'Anna, a little bit quicker or a little bit slower.' That was all. We didn't do a lot of retakes. With some other actors I know he would do a lot of retakes, but not with me.
If you had a front row seat at the Renaissance, you would have seen Machiavelli come by plotting, and you would have seen murders in the streets, you would have seen violence, you have seen people burning books and it would have looked like the world was a horrible place, but that's where all these incredible stuff we're still living with comes out of.
Dieter Dengler was an amazing man. Who knows what he would've been had he not ever been tested in this way? It's a question that I certainly have myself. What would I be able to do in certain situations? He came out, obviously, looking like a true hero, but he didn't go in looking like that. He was not your typical image of somebody that you would think would be the tough guy who was able to endure. His lighthearted attitude, this sort of dorkiness, and naivete; it ended up being the finest tool for his survival.
I had decided to be a magician well before I decided to be a writer. I was the little boy who would get up on-stage and do magic wearing a fake mustache, which would fall off during the performance. I'm still trying to perform those tricks. Now I do it with writing.
I've always known that if I recorded an album, it would come out, and people would enjoy it! Whereas if I wrote a movie script, chances are better than even that I'd just be another guy in L.A. with a movie script in his drawer.
I know that might sound perverse because I played Julian Assange but, honestly, I don't think it would be fair for me to judge the man. I realize that makes me a bit of a hypocrite because I was portraying him a certain way, but we were always open to the fact that this was an interpretation, not any kind of exact evidence of who the man was.
Whereas in a memory you edit things out and sort of restructure the things to seem a little bit more heroic, or to focus on particular aspects that magnify or reduce certain things.
You look at something like Russia, or you look at something like China, where you actually allow free markets to go in. And you haven't seen the change that we, in the western world, would probably like. You still have a bit of a dictatorship - some people would say more than a bit of a dictatorship - in Russia and in China.
I am definitely a perfectionist, and I do like things a certain way. But as I have got older, I would say that I am a little bit less of a control freak.
I'm just an actor. It's the way the script is written, and it's easy. I don't have think about it. When you receive the script, you know pretty well how to play it, apart from little technicalities like the accent.
When I meet a good actor, I would like to be a director. When I meet a good director, I would like to be an actor. When there is a good script, I would like to be both a director and an actor. The switch is very natural, not intentional.
I hated the idea that I would be like my father. Which is one of the reasons I decided I didn't want to be a writer and wanted to be an actor instead. I wanted to go in a total different direction. But, of course, I ended up being a writer anyway.
The people at the very top could fall by and grace you with their presence and give you a little largesse, and you'd be "Oh, I'm so beloved." In a way, it was kind of like flattery. The middle managers didn't quite have that cachet, but at the same time, they had to seem like they were of that caliber. So there's a little bit of loneliness at the heart of those with a little bit of power.
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