A Quote by Mindy Kaling

People who are good at stand-up, they sort of seem to have to do it. Something within them makes them have to go on the road. — © Mindy Kaling
People who are good at stand-up, they sort of seem to have to do it. Something within them makes them have to go on the road.
When I stand up in front of groups of people who agree with me, I know I have to really step my game up because I can't just sort of meet them where they're at; I have to take them somewhere else. They want you to challenge them and have good ideas.
The rules of the game in general are going to change for everything, not just menswear. People want to have fun with clothes. We sold out of the mirror suits in New York, and the black suits were still there. It tells me that men are looking for something that makes them feel good, makes them have fun, and makes them stand out. And it's all different sorts of men.
At the beggining of my career, for me the comedy circuit was a combination of desperation and the fact that it was something I could do. I sort of meandered and really had no idea what I was going to do with my life. I had a go at stand-up, and I was sort of okay at it. I'd say I'm the opposite of someone that has the urge to stand in front of strangers and make them laugh, but the idea of getting up and telling a story and people finding it amusing always appealed to me. So I'd say it was probably more about that than anything.
The world isn't awful. People aren't awful. They want to be good. Something makes them bad. Something breaks them down, makes them snap.
A lot of women do stand-up as a gateway into acting, but I love stand-up, and to be a good stand-up, you have to go on the road a lot. It means going to places in America where they've never seen a Vietnamese person in their life.
A lot of people worry much too much about what their children are reading... If a child picks up a book and reads something she has a question about, if she can go to her parents, great. Or else they will read right over it. It won't mean a thing. They are very good, I think, at monitoring what makes them feel uncomfortable. If something makes them feel uncomfortable they will put it down.
Where constraint breaks people, and mediation makes fools of them, the seduction of power is what makes them love their oppression. Because of it, people give up their real riches for a cause that mutilates them; for an appearance that reifies them; for roles that wrest them from authentic life; for a time whose passage defines and confines them.
We need to write books that publicists and marketers and booksellers and book club leaders and librarians and readers can get excited about. That have something about them that makes them stand out. That makes them shine.
I love religion. I could make up religions all day. I sort of think that in an ideal world I'd like to be a religion designer. I'd like people come up to me and say, I need a religion. I'd go talk to them for a while, and I'd design a religion for them. That would be a great job. There's a need for people like that. Fortunately, seeing that one can't actually do it, I get paid for sort of making them up anyway.
Some people's developmental path has not equipped them to stand up and let go of something.
Every now and then, I'll meet an escapee, someone who has broken free of self-centeredness and lit out for the territory of compassion. You've met them, too, those people who seem to emit a steady stream of, for want of a better word, love-vibes. As soon as you come within range, you feel embraced, accepted for who you are. For those of us who suspect that you rarely get something for nothing, such geniality can be discomfiting. Yet it feels so good to be around them. They stand there, radiating photons of goodwill, and despite yourself you beam back, and the world, in a twinkling, changes.
Growing up, all I saw was my parents trying to be the best people they could be, and people coming to them for wisdom, coming to them for guidance, and them not putting themselves on a pedestal, but literally being face-to-face with these people and saying, "I'm no better than you, but the fact that you're coming to me to reach some sort of enlightenment or to shine a light on something, that makes me feel love and gratitude for you." They always give back what people give to them. And sometimes they keep giving and giving and giving.
I want to move people, stir something within them that makes them feel. That's what a movie should do and an actor should do, make you feel something. I think that's why people love films so much.
I was asked why I did not give a rod with which to fish, in the hands of the poor, rather than give the fish itself as this makes them remain poor. So I told them: The people whom we pick up are not able to stand with a rod. So today I will give them fish and when they are able to stand, then I shall send them to you and you can give them the rod. That is your job. Let me do my work today.
I'm pretty good at inventing phrases - you know, the sort of words that suddenly make you jump, almost as though you'd sat on a pin, they seem so new and exciting even though they're about something hypnopaedically* obvious. But that doesn't seem enough. It's not enough for the phrases to be good; what you make with them ought to be good too.
The thing about stand-ups is you can't really get good unless you're failing in front of a large number of people. That makes stand-up comedy unique: you need a tremendous amount of reserve within you to take the rejection from the audience, and without it, you can't do anything.
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