A Quote by Mindy Kaling
Almost every college playwright or sketch or improv comedian was sort of aware of Christopher Durang - even kids in high school. His short plays were so accessible to younger people and I think that was inspirational to me.
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There's different kinds of improv. There's Second City improv where you try to slowly build a nice sketch. There's stuff you do in college coffee houses where you just go joke, joke, joke. Bring another funny character with a funny hat on his head. Christopher Guest is more the line of trying to get a story out.
I think I'm one of those guys who was sort of always in comedy. I thought of myself - and other people seemed to think of me - as funny from a very young age. I was a very young comedy nerd and I even did sketch comedy in high school and college. I wrote and shot sketches on video and acted in them.
I was always drawn to performing. I took improv and acting classes during the summers and was involved in middle and high school plays. But when I discovered indie and punk music in high school, those things sort of took over.
When I began doing theatre in high school I saw that I could get laughs from people but I didn't really connect that to going on and becoming a comedian. I was interested in acting and while I was at Boston College I was part of an improv group, Mother's Fleabag, which had a long history and has been known as one of the best college improvisation groups in the U.S.
When I was younger, I was an avid science girl. I was all about, 'I'm going to be a doctor.' Even when I graduated, I was like, 'I'm going to be a doctor.' Even though I did acting and I was in plays and drama clubs in high school and college, I still didn't think I was going to take it on as a career.
We met in high school, all in the same grade, and started doing improv and sketch together. That was almost 20 years ago at this point, and that's our identity outside of 'Impractical Jokers.'
As a kid, I was really into performing. I would do choruses, I would do musicals, whatever it was. And then, as a teenager, I got into an acting class at SUNY Purchase for gifted kids, and that really turned me on to material beyond musicals, Sam Shepard, and Christopher Durang plays.
I think college prepared me at a really high level. High school, you can take some plays off on the defensive end. Not on purpose, but if your man gets tired, you can rest a little bit. But once you get to college, and especially in the NBA, you can't do that. Even if my man gives the ball up, I'm on help side, helping my team out.
I did, like, one or two plays in high school, but I don't think I realized I wanted to do comedy until I got to college, and I started doing improv and saw the Upright Citizens Brigade perform and did workshops with them.
The biggest thing for me is to be accessible. When a high school coach comes on our campus, they can sit in every position meeting they want to sit in. They can come to every practice. And the comments I've gotten from our high school coaches is how accessible we are to them. That's what you need to do to build those relationships.
There was no theater in my high school. I think even our art program was cut - it was so bad. I didn't even know that was a possibility in college or in high school; I hadn't even thought of it. It was pretty negligent. My father has run a bulldozer all of his life, and my mom is in real estate.
Some playwrights are obvious influences on younger writers. Arthur Miller (realistic, politically engaged dramas) and Christopher Durang (satirical dark comedies) are examples. But August stands apart, ... He has his special way of seeing things. I remember he and I were at one of those fancy benefits the Rep has. The gay men's chorus was singing, and I was very proud to have brought them into a Rep event. And August says, 'You know, I don't see any black people up there.' That was his focus the lives of black people.
When people ask where I studied to be an ambassador, I say my neighborhood and my school. I've tried to tell my kids that you don't wait until you're in high school or college to start dealing with problems of people being different. The younger you start, the better.
I really wasn't even a good high school player. I didn't have any plays for me run in college - ever.
In college, I pretty much abandoned music and started performing with the school's improv and sketch troupe, and at some point, that became my permanent thing.
I did a severe amount of plays in high school. I was in every single show that my drama club produced. Then in the summer I would do plays, and I was also playing sports. I was probably a hellish kid, come to think of it, for my parents' schedule. But then I went to college in North Carolina.
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