A Quote by Mindy Kaling
I used to forget that I was an Indian woman. I would even forget that I was a woman. I don't think of myself as bringing to the table a lot of 'women's issues.' I don't feel the need to write about maternity. I grew up thinking that the talented people in comedy were hard-joke writers.
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I know that for me personally, a lot of people feel threatened by me and my stance. I'm an Indian woman, I'm a woman of colour, I have a turban, I have a beard, and I think because my voice is so powerful, people forget that I have this image [and] still feel threatened by it. I'm very outspoken, I speak about anything and everything and I don't shy away.
When you love a woman don't be bothered about what others have said about love, because that is going to be an interference. You love a woman, the love is there, forget all that you have learned about love. Forget all Kinseys, forget all Masters and Johnsons, forget all Freuds and Jungs. Please don't become a language professor. Just love the woman and let love be there, and let love lead you and guide you into its innermost secrets, into its mysteries. Then you will be able to know what love is.
I have seen romanticism outlast the realistic. I have seen men forget the beautiful women they have possessed, forget the prostitutes, and remember the first woman they idolized, the woman they could never have. The woman who aroused them romantically holds them.
Here's a woman, a real pioneer for other women looking for careers in stand-up comedy. And talk about guts - she would come out here and sit in this chair and say some things that were unbelievable - where you would have to swallow pretty hard... but it was hilarious... the force of her comedy was overpowering.
I wake up every day super excited to be a woman! It's amazing. I wouldn't have it any other way. There's an incredible diversity of people writing comics right now. As a writer, there are a lot of parts that I was thinking about in terms of the specific experience of being a woman superhero and what that means - the kind of pressures that are on strong women, and how women are able to feel strong in a public world.
What I wanted to do was put a woman of color, front and center, in my movie combining a lot of themes that were relevant to both men and women. I actively wanted her to carry the weight of this movie because I'm a woman. And I actively wanted to explore many of the issues that affected her as a woman of color. That was very important to me. And although these issues affect some women of color, I don't think they're only of interest to women of color. They're of universal interest.
I talked to my mother about it a lot. I asked her what it was like to grow up in New York and Harlem in the 1920s and 1930s, and I asked her about a woman leaving her husband. I asked her about how she would feel about that woman, and my mother grew up in the Church Of God In Christ, and she told me that the woman might be isolated because the other women thought she might go and come after their husbands. That's how they thought then.
Well, I think there was a time when I first started that there was such a thing called 'a woman's film' and there were certain scripts that women would make. But I think that's changed a lot now. I think that if a woman director walks into a room with a script, it doesn't really matter what the subject matter is, or the genre is, so long as the financiers feel that the woman has the skills to make the film.
There was a time when I first started that there was such a thing called 'a woman's film' and there were certain scripts that women would make. But I think that's changed a lot now. I think that if a woman director walks into a room with a script, it doesn't really matter what the subject matter is, or the genre is, so long as the financers feel that the woman has the skills to make the film.
A woman will forget that a man is male, if they are good enough friends, but men rarely forget that a woman is feminine.
What I would note, though, and one of the things I really admire about the vice president: She is the first African American woman, woman of color, Indian American woman to serve in this job. Woman. I mean, so many firsts, right? It's a lot to have on your shoulders.
I think it's just that as a creative person, in all the different things that I've done or ways that I've found to express myself, I've consistently come up against resistance in certain areas. I think that the world is not comfortable with female sexuality. It's always coming from a male point of view, and a woman is being objectified by a man - and even women are comfortable with that. But when a woman does it, ironically, women are uncomfortable with it. I think a lot of that has to do with conditioning.
I am saying there are women in the Senate, there are women in governorships, there are women in statewide office, there are women in the House, and I do think we can't ignore the fact that we have had the first woman ever win a nomination of a major party and the first woman ever winning the popular vote. So I think the table is set for a woman in the near future. I really do.
It was a very hard play [Woman Under the Influence] to do every night. And John Cassavetes said, "Don't worry. Don't even think about it, you're right. I hadn't thought of that." He said, "Just forget it."
Dress for yourself and the man you love (if there is one). Women dressing to impress other women--forget about that. Forget about that. It's a very bad way of thinking.
I feel so blessed that I grew up in the age of the independent woman, the survivor. I had Destiny's Child telling me I didn't need a man to feel good about myself, and I want to carry on that message.
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