A Quote by Mindy Kaling
In terms of my Indianness, I try not to rely on it nor deny it. When it comes up organically in my writing, we can address it. About five years ago, we wrote this episode of 'The Office,' called 'Diwali,' which seemed like an organic way of using it.
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I was greatly affected by a guy named Rob Briner, who died about five years ago, who wrote a book called "Roaring Lambs", which is a book on how to be salt and light in the secular community.
We do want the freedom to move scenes from episode to episode to episode. And we do want the freedom to move writing from episode to episode to episode, because as it starts to come in and as you start to look at it as a five-hour movie just like you would in a two-hour movie, move a scene from the first 30 minutes to maybe 50 minutes in. In a streaming series, you would now be in a different episode. It's so complicated, and we're so still using the rules that were built for episodic television that we're really trying to figure it out.
I came from the time of so-called New Criticism - the poem in itself, the writing in itself - but around that time I had come across a critic called Kenneth Burke, who wrote a book called A Rhetoric of Motives, and it seemed to talk about another way, and gradually I realized that other way was that the reader made a difference.
The events which transpired five thousand years ago; Five years ago or five minutes ago, have determined what will happen five minutes from now; five years From now or five thousand years from now. All history is a current event.
About 25 years ago, when I was 15, I wrote a song called 'Indradhanush', which speaks about the seven colours, equating each with emotions that we as human beings experience.
When the print revolution occurred 400 years ago, human beings lost a certain mental capacity, including a sense of memory. In Africa today, you meet people who still carry everything in their heads, the way we used to. We rely on telephone books, address books. We have to look up everything.
Actually criminal sanctions that are given could be up to five years for violating the rules and regulations under the campaign finance reform. This is like the Alien and Sedition Act of years and years ago, decades ago.
This man, who for twenty-five years has been reading and writing about art, and in all that time has never understood anything about art, has for twenty-five years been hashing over other people's ideas about realism, naturalism and all that nonsense; for twenty-five years he has been reading and writing about what intelligent people already know and about what stupid people don't want to know--which means that for twenty-five years he's been taking nothing and making nothing out of it. And with it all, what conceit! What pretension!
Infuriatingly stupid analysts - especially people who called themselves Arabists, yet who seemed to know next to nothing about the reality of the Islamic world - wrote reams of commentary [after 9/11]. Their articles were all about Islam saving Aristotle and the zero, which medieval Muslim scholars had done more than eight hundred years ago; about Islam being a religion of peace and tolerance, not the slightest bit violent. These were fairy tales, nothing to do with the real world I knew.
I have this belief about things happening organically. I believe life has this organic flow in a way.
I'm still trying to write. I wrote a play a few years ago, so I'm trying to start writing again. The play was called The Commons Of Pensacola. It was at MTC [Manhattan Theatre Club] with Sarah Jessica Parker and Blythe Danner. It was kind of like a riff on Ruth Madoff.
If you look at Hollywood today, compared to five years ago, 10 years ago, 20 years ago or 30 years ago, the change from moment to moment has always been extraordinary. It never stops moving.
I love sports. I play golf now, which is relatively new for me. I only took it up about five years ago. I also like playing piano, and I love being with my family and friends.
One day about 10 years ago the door to my office opened and who walked in but Bill Gates.... Seemed like a nice guy and has done more with his money than most billionaires. But that's as far as I want to go being kind to Bill Gates.
It's more in retrospect as I've thought about it over the years and look back at what I wrote, how I wrote things - like there's a song that Ralph Stanley later recorded with me that he had guested on my record what was called "Travelers Lantern" that I wrote as basically, you know, a hymn.
I remembered a long time ago, Kit Williams hid a golden hare somewhere in Britain and wrote a book which was layered with clues about where the it was. This really fired my imagination, I read the book and it was way too cryptic for me to understand, but it seemed to fascinated people - it even got on the news.
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