A Quote by Mindy Kaling
I am a super-confident writer, and as a joke writer and as an actress, I'm like, 'I want to go head-to-head with every person.' I am an Indian woman and I'm a kind of double minority in this world.
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I say "on principle" [regarding 'lesbian writer'] because whenever you get one of your minority labels applied, like "Irish Writer," "Canadian Writer," "Woman Writer," "Lesbian Writer" - any of those categories - you always slightly wince because you're afraid that people will think that means you're only going to write about Canada or Ireland, you know.
I am a gay writer, but I am also a Scottish writer and some days a lazy writer, or a funny writer. Being gay is just a part of who I am.
When you are what we call a 'minority writer,' a writer of color, a writer of any kind of difference, there is some kind of presumption of autobiography in everything you produce. And I find that really maddening, and I resist that.
I am a reader. I am a writer. People assume I do these things to escape. You couldn't be more right. I'm escaping a world I don't like. A world I have no control in. In this world, I am nothing. I am a color, a height, a weight, a number. But in the world of books and writing, I am amazing. I am powerful. I am different. People are better. Worlds are endless. Change is possible. Life is manageable.
Nobody becomes a writer overnight. Well, I'm sure somebody did, but that person's head probably went all asplodey from paroxysms of joy, fear, paranoia, guilt and uncertainty. Celebrities can be born overnight. Writer's can't. Writers are made - forged, really, in a kiln of their own madness and insecurities - over the course of many, many moons. The writer you are when you begin is not the same writer you become.
The first thing I am is a person. I am a woman. And I am part of a nation, the Indian nation. But people either relate to you as an Indian or as a woman. They relate to you as a category. A lot of people don't realize that I am not that different from everyone else.
I probably am a cranky writer, but I am actually a fairly nice, normal person. Since I'm a grouchy writer, of course I have friends whose books are doing way better than mine.
When you decide 'to be a writer,' you don't have the faintest idea of what the work is like. When you begin, you write spontaneously out of your limited experience of both the unwritten world and the written world. You're full of naïve exuberance. 'I am a writer!' Rather like the excitement of 'I have a lover!' But working at it nearly every day for fifty years ? whether it is being the writer or being the lover ? turns out to be an extremely taxing job and hardly the pleasantest of human activities.
I would like to say, for the record, that I am in favor of using more American Indians and other minorities in motion pictures, I am against polluting the oceans of the world, I am for every nationality having its own homeland, I am against whacking baby seals on the head, and I am for saving the whales.
I wanted to be a writer. I still want to be a prose writer. I feel I am more temperamentally suited to that kind of life, although there are things I still want to do with music.
I'm not a writer myself, so I'm forced to try to get what's a sort of an odour or a colour or something I feel in my head from a writer, and that's a... I don't have a recipe for that process. I don't know what it is... it's different every time.
I am neither an Occidental writer nor a Russian writer. I am an accidental writer.
I want to be identified as a writer, not a Southern writer, not a woman writer, not a woman from this or that place, but unfortunately it doesn't always happen.
Ordinary life does not interest me. I seek only the high moments. I am in accord with the surrealists, searching for the marvelous. I want to be a writer who reminds others that these moments exist; I want to prove that there is infinite space, infinite meaning, infinite dimension. But I am not always in what I call a state of grace. I have days of illuminations and fevers. I have days when the music in my head stops. Then I mend socks, prune trees, can fruits, polish furniture. But while I am doing this I feel I am not living.
The writer walks out of his workroom in a daze. He wants a drink. He needs it. It happens to be a fact that nearly every writer of fiction in the world drinks more whisky than is good for him. He does it to give himself faith hope and courage. A person is a fool to become a writer. His only compensation is absolute freedom. He has no master except his own soul and that I am sure is why he does it.
reading is not a passive act. It's a creative act. It's a relationship between the writer and a person the writer will probably never meet. I think it's very wrong to write in a way that leaves no room for the reader to maneuver. I don't want to get in the way. What I'd really like to do is to perform the Indian Rope Trick - go higher and higher and eventually disappear.
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