A Quote by Minnie Driver

Anyone who has that weird volition to become an actor probably has a weird volition to do lots of other creative things - to write, to play music, to paint, to cook. — © Minnie Driver
Anyone who has that weird volition to become an actor probably has a weird volition to do lots of other creative things - to write, to play music, to paint, to cook.
What part of people is resistant to an artist doing more than one thing? Is it somehow perceived as greedy? Anyone who has that weird volition to become an actor probably has a weird volition to do lots of other creative things - to write, to play music, to paint, to cook.
My definition of slavery is the deprivation of human volition, any form of relationship between two peoples which is based on the deprivation of volition of one side.
All athletic accomplishments begin with volition; that is, the desire and willpower necessary to succeed. Volition affects more than thoughts and feelings - it affects physical performance.
I used to think anyone doing anything weird was weird. Now I know that it is the people that call others weird that are weird.
I used to think that anyone doing anything weird was weird. I suddenly realized that anyone doing anything weird wasn't weird at all and it was the people saying they were weird that were weird.
Weird stuff, for me, is not that weird. I guess if it were other people, they'd think it was weird. I eat nutritional yeast. And sometimes I take clay shots to help pull toxins out of my body. I eat weird L.A. food, so I guess that's probably weird in other people's eyes.
You can be really weird, and people will still accept you if you're in movies. I'm not actually weird, but if I feel like being weird, then I can do it, and they accept it because you're an actor.
I don't go out of my way to write Weird Fiction, or in any other genre. Some of my stuff easily slips into the Weird slot.
Me, l'm a weird person, so my music is kind of weird, but l want my music to be weird.
I'm starting to play lots more naturalistic, realistic people than when I first started. Maybe because I was doing character comedy shows, and I was doing slightly weird, oddball characters with weird accents, those were the characters that I got cast to play - which made perfect sense.
I definitely prefer to write under my own volition and see what happens.
I write weird stories. I don't know why I like weirdness so much ... But when I write, I write weird. That's very strange. When I'm getting more and more serious, I'm getting more and more weird.
When we watch a play under the standard circumstances, we've lost volition and time is passing. A still play feels like an existential threat.
A man with a half volition goes backwards and forwards, and makes no way on the smoothest road; a man with a whole volition advances on the roughest, and will reach his purpose, if there be even a little worthiness in it. The man without a purpose is like a ship without a rudder - a waif, a nothing, a no man. Have a purpose in life and having it, throw such strength of mind and muscle into your work as God has given you.
Since nature does not endow all men with equal beauty or equal intelligence, and the faculty of volition leads men to make different choices, the egalitarians propose to abolish the "unfairness" of nature and of volition, and to establish universal equality in fact - in defiance of facts. It is not equality before the law that they seek, but inequality: the establishment of an inverted social pyramid, with a new aristocracy on top - the aristocracy of non-value.
A lot of our music came out of a lot of weird psychology and weird emotions. When you play the whole body of work, you get tossed all over the place. It's not easy listening. It's not even comfortable to listen to.
This site uses cookies to ensure you get the best experience. More info...
Got it!