A Quote by Minor White

I'm always mentally photographing everything as practice. — © Minor White
I'm always mentally photographing everything as practice.
When you're photographing anything to do with war and conflict you're photographing something impossible. Everything you do is just clumsy and stupid and half witted. Because it is impossible to portray the full width and breadth of everything that you are up against.
Practice does take a lot out of me mentally because I have to be on it for every stroke, every turn, every breakout. Anything I do, I want to be as focused as I can, so by the time practice is done, I'm kind of physically and mentally fried.
It was hard to become an astronaut. Not anywhere near as much physical training as people imagine, but a lot of mental training, a lot of learning. You have to learn everything there is to know about the Space Shuttle and everything you are going to be doing, and everything you need to know if something goes wrong, and then once you have learned it all, you have to practice, practice, practice, practice, practice, practice, practice until everything is second nature, so it's a very, very difficult training, and it takes years.
People aren’t photographing for history any more. It’s for immediate gratification. If you’re photographing to share an image, you’re not photographing to keep it.
Concentration is born on the practice court... you must mentally treat your practice sessions as matches, concentrating on every ball you hit.
I'm photographing myself out there. Not myself physically, but mentally. It's my take on the world.
I enjoy photographing. It's always interesting, so I can't say one thing is more fun than another. Everything has it's own difficulties.
I have to shoot three cassettes of film a day, even when not 'photographing', in order to keep the eye in practice.
I never stopped photographing. There were a couple of years when I didn't have a darkroom, but that didn't stop me from photographing.
Whether you're trying to excel in athletics or in any other field, always practice. Look, listen, learn - and practice, practice, practice. There is no substitute for work, no shortcut to the top.
The way anything is developed is through practice practice practice practice practice practice practice practice practice and more practice.
I've always prided myself on being mentally tough, but just because you're mentally tough doesn't mean that what's going on between your ears is always good things.
Your compassion travels beyond your own inner circle. And then you breathe out an alternative version where you mentally and emotionally and psychologically purify the poisons. So indeed, the generative idea is in the crux of this practice and of my propensity toward poetry, which is a practice of the imagination.
It doesn't matter if you're photographing a porter in a market in Marrakech or you're photographing the king of Morroco. You have the same sympathetic approach to everybody. You be nice to everybody, basically.
There is no one way of photographing anything. I don't believe there is even one best way of photographing any given subject.
Ultimately, the reward is the process - the process of photographing and discovering and trying to understand why and what am I photographing.
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