A Quote by Minor White

Often while traveling with a camera we arrive just as the sun slips over the horizon of a moment, too late to expose film, only time enough to expose our hearts. — © Minor White
Often while traveling with a camera we arrive just as the sun slips over the horizon of a moment, too late to expose film, only time enough to expose our hearts.
There’s only one moment in which you can arrive in time. If you’re not there, you’re either too early or too late.
If you're not going to tell something if you're not going to expose something it's real easy to go in and photograph from behind the camera and not expose any of your weaknesses.
Practicing going over scenes and in front of the camera just to see how that feels, and then ultimately just finding a way to expose yourself to people. That’s what I did.
Practicing going over scenes and in front of the camera just to see how that feels, and then ultimately just finding a way to expose yourself to people. That's what I did.
Acting is an opportunity for me to try to explore and examine and expose humanity's weaknesses that are intrinsic to our nature as humans and learn from them; thereby, it's like a sociological expose.
The business of popularizing crime is how we expose the faults in our justice system. It's how we expose police misconduct.
Most men expose themselves in battle enough to save their honor, few wish to do so more than sufficiently, or than is necessary to make the design for which they expose themselves succeed.
I did an expose of an institution for the population with developmental disabilities, and the institutions were closed as a result of the expose. Now the developmentally disabled are cared for in small community-based residences, and I've been working very hard over the decades to open as many of them as I can.
I got into film school. I went and didn't know anything about it. Over the course of two years, I kind of got kind of good at it. You know, I had a brief moment where I wasn't sure if I could do it. I didn't know you needed light to expose film.
One of the marvelous things about film is that if you expose it long enough you're going to get a picture.
We live, understandably enough, with the sense of urgency; our clock, like Baudelaire's, has had the hands removed and bears the legend, "It is later than you think." But with us it is always a little too late for mind, yet never too late for honest stupidity; always a little too late for understanding, never too late for righteous, bewildered wrath; always too late for thought, never too late for naïve moralizing. We seem to like to condemn our finest but not our worst qualities by pitting them against the exigency of time.
Too often, feelings arrive too soon, waiting for thoughts that often come too late.
I expose slavery in this country, because to expose it is to kill it. Slavery is one of those monsters of darkness to whom the light of truth is death.
When we talk about how movies used to be made, it was over 100 years of film, literal, physical film, with emulsion, that we would expose to light and we would get pictures.
I mean, acting or stunts, doing my job means doing my job, and I'm loving it. It's fun to put my face in front of the camera; I'm really enjoying the process. But at this point, it's still just not too easy to go around describing myself as an actor. It took me a good long while to get to where I could do it not only without laughing, but without trembling a little bit, which is terrible, but... I mean, I was really hesitant to 100 percent walk down that path, to expose myself to that.
Only to the extent that we expose ourselves over and over to annihilation can that which is indestructible in us be found.
This site uses cookies to ensure you get the best experience. More info...
Got it!