A Quote by Minoru Yamasaki

We build buildings which are terribly restless. And buildings don't go anywhere. They shouldn't be restless. — © Minoru Yamasaki
We build buildings which are terribly restless. And buildings don't go anywhere. They shouldn't be restless.
I don't think all buildings have to be iconic, but the history of the world has shown us that cultures build iconic buildings for their major public buildings.
Grief, which disposes gentle natures to retirement, to inaction, and to meditation, only makes restless spirits more restless.
There was a time in our past when one could walk down any street and be surrounded by harmonious buildings. Such a street wasn't perfect, it wasn't necessarily even pretty, but it was alive. The old buildings smiled, while our new buildings are faceless. The old buildings sang, while the buildings of our age have no music in them.
Modern buildings of our time are so huge that one must group them. Often the space between these buildings is as important as the buildings themselves.
In Paris, there has to be a presence. History becomes the most interesting when it's compared to the present. I mean there's a whole group of people that want to build new buildings that look like old buildings.
I just want to build the best buildings. It's not about me, it's about the buildings, creating a space where society can gather and marvel in beauty and nature.
There are hundreds of Frank Lloyd Wright buildings around the United States and in other countries, too. Wright lived into his 90s, and one of his most famous buildings, the Guggenheim Museum in New York, was completed just before his death. Wright buildings look like Wright buildings - that is their paradox.
We shouldn't just look at new buildings but at existing stock building because that's an even greater problem than the new buildings being built. The renovation of existing buildings and making them green is just as important as designing new green buildings.
We try to turn buildings into landscapes - defying the idea of modernism which sees nature and buildings as two distinct elements.
What I have learned about museum buildings is that buildings have to have iconic presentations. The position of the art museum vis-a-vis other civic buildings needs to be hierarchal in the community. It has to be equal to the library and the courthouse.
Reinforced concrete buildings are by nature skeletal buildings. No noodles nor armoured turrets. A construction of girders that carry the weight, and walls that carry no weight. That is to say, buildings consisting of skin and bones.
There is something about a closet that makes a skeleton terribly restless.
An aggressive building performance standard for all new buildings, and a set of performance requirements to be met by all buildings before they can be sold (when upgrades can be included in the new mortgage). These should encompass heating and cooling, lighting, and plug loads. Coupled with new efficiency standards for appliances, lights, and furnaces, this should reduce the energy consumption of new buildings by 50 percent, more or less immediately, and go on from there.
For members of a traditional society where many traditions have been discredited, an interest in modernity can result in a restless sophistication. Mehmet Ertegun seems not to have been a restless man.
Our history in this country dates from the moment that restless men among us became restless under oppression and rose against it . . . Agitation, contentions, ceaseless unrest, constant aspiring -- a race so moved must prevail.
I wanted to be an architect. I used to draw houses and buildings and construct buildings on my own.
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