A Quote by Mira Grant

Our story opens where countless stories have ended in the last twenty-six years: with an idiot -- in this case, my brother, Shaun -- deciding it would be a good idea to go out and poke a zombie with a stick to see what happens.
I am a zombie fan, but all of the zombie stories I've enjoyed started when the dead rose and ended three days later with everybody looking exhausted. I was thinking, 'What happens in 20 years?'
I am a zombie fan, but all of the zombie stories Ive enjoyed started when the dead rose and ended three days later with everybody looking exhausted. I was thinking, What happens in 20 years?
The justification - the idea that we have a right to invade another country and determine another people's destiny - is frightening. And I fear really for the future of that occupation. What happens now, and twenty years from now, and forty years from now, given our case? People in the United States may feel like when we don't see it on CNN twenty-four hours a day, it sort of disappears. But it doesn't disappear for the people who have to live under occupation - and their children and their children's children.
In 'Shaun of the Dead,' it's not Shaun's fault that there's a zombie apocalypse - he just has to get through the day.
I never had a story for the sequels, for the last trilogy. That's not really part of the plan at this point, and I'll be at the age where to do another trilogy would take 10 years. I'd always envisioned it as six movies. When you see it in six parts you'll understand that it really ends at part six.
When starting a new business, people get blinders on. They have an idea, they stick to the idea, but they don't test it or check with their potential audience to see if this is a good idea. It happens all the time. Talk to your customers, see what they like and what you can change or not change.
Well, the world has a million writers. One would think, then, that good thought would be as familiar as air and water, and the gifts of each new hour would exclude the last. Yet we can count all our good books; nay, I remember any beautiful verse for twenty years.
When in doubt, poke the beehive with a stick to see if anything interesting flies out. I clapped my hands. 'I had no idea Pit teams had such pretty cheerleaders. Can you do it again, but with more spirit this time?
Good stories flow like honey but bad stories stick in the craw [gullet]. What is a bad story? It's a story that cannot be absorbed in the first time of reading. It's a story that leaves questions unanswered.
Stories are people. I'm a story, you're a story ... your father is a story. Our stories go in every direction, but sometimes, if we're lucky, our stories join into one, and for a while, we're less alone.
Precisely that, covering 500 years of African-American history in six hours. I've been working on this for seven years. The biggest challenge was deciding which stories to tell.
Humans like stories. Humans need stories. Stories are good. Stories work. Story clarifies and captures the essence of the human spirit. Story, in all its forms—of life, of love, of knowledge—has traced the upward surge of mankind. And story, you mark my words, will be with the last human to draw breath.
Three years into getting 'The Witch' financed, I was hanging out with my brother and he was like, 'I'm working on this script. It's a ghost story in a lighthouse.' I thought, 'Damn, that's a really good idea, I wish I'd had it.'
I still think photographers should be lashed out at. They should be put in a cage where you can poke them with a stick for a quarter. But not in a hostile way, just for giggles. They really are on the attack against mankind; it's a disease. They should be helped somewhere. But I'd still like to poke them with a stick.
I am a buyer of blank books. Kids find it interesting that I would buy a blank book. They say, Twenty-Six dollars for a blank book! Why would you pay that? The reason I pay twenty-six dollars is to challenge myself to find something worth twenty-six dollars to put in there. All my journals are private, but if you ever got hold of one of them, you wouldn't have to look very far to discover it is worth more than twenty-six dollars
The crazy thing is, the last club I ever learned to hit was my driver. My brother and I ended up being known for our distance, but we had no idea how far we could hit the ball because we hit it the same, and all of a sudden, we're going to tournaments, and we're driving the par-4s. At 10 years old, I was hitting it, like, 240.
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