A Quote by Mira Sorvino
I have to be able to shake my imaginary life from my real life when I walk through the door with my children who immediately need a lot from me. It's actually kind of a relief, especially if it was a dark day on set.
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I realize I have a lot of amazing opportunities, but I don't know how you can play a human being going through real human experiences without being able to walk down the street. If you can't live a real life, how do you play a real person? It always confuses me when actors work back-to-back-to-back with no break. If you live your life on a film set, how the hell can you relate to real people? You don't know what its like to not have people fussing over you all day, and that's not life - that's silly movies. I will always want to take breaks and I wouldn't be OK with losing that.
If you understand writing as primarily engaging an imaginary reader, well, you've kind of been doing that your whole life. You walk into a room and you're engaging with imaginary strangers because you don't actually know who they are. For me, it was really empowering to say: this is a branch of entertainment and communication and engagement, as opposed to jumping over some perceived literary high bar. That was the buzzkill.
In my real life I live in the countryside, I walk a lot, I shoot clay pigeons, I don't get involved in the film business or anything, and then in my cinematic life, I think I am drawn to the dark side.
Wrestling has been a way of life with me day in and day out. I won't get too far away from it. I might walk through the wrestling room once a week. I could go every day if I wanted. But just walk through, make sure it's still there.
We are not satisfied with real life; we want to live some imaginary life in the eyes of other people and to seem different from what we actually are.
Even the very youngest children already are perfectly able to discriminate between the imaginary and the real, whether in books or movies or in their own pretend play. Children with the most elaborate and beloved imaginary friends will gently remind overenthusiastic adults that these companions are, after all, just pretend.
My parents, my family, that's the biggest inspiration in my life. I've been in a lot of dark spots in my life, and if it wasn't for them, I wouldn't be able to get out of it, but they are who they are. They followed me. They yelled at me. They screamed at me. They loved me.
Death is the door from the superficial life, the so-called life, the trivial. There is a door. If you pass through the door you reach another life - deeper, eternal, without death, deathless. So from so-called life, which is really nothing but dying, one has to pass through the door of death; only then does one achieve a life that is really existential and active - without death in it.
If our children are going to walk away from Christ, we need to raise them in such a way that they understand that to walk away from Jesus is to walk away from a life of faith, risk and adventure and to choose a life that boring, mundane and ordinary
I kind of had my life planned out for me. I'd be married at some point, have, you know, 1.5 children, and be a principal possibly one day. But I think that that was kind of my problem. I allowed myself to plan out my life and didn't let provident direction guide my life.
Lots of children have had dark experiences, and if they're not having direct dark experiences, they are thinking about things and learning that life is fragile. You have to acknowledge that side of life to be able to then offer comfort and hope and goodwill.
The minute you walk through the door and your kid runs into your arms, you're smacked in the face with a dose of reality: It's like, this is my real life.
Ramona stepped back into her closet, slid the door shut, pressed an imaginary button, and when her imaginary elevator had made its imaginary descent, stepped out onto the real first floor and raced a real problem. Her mother and father were leaving for Parents' Night.
The theater's much the most difficult kind of writing for me, the most naked kind, you're so entirely restricted.... I find myself stuck with these characters who are either sitting or standing, and they've either got to walk out of a door, or come in through a door, and that's about all they can do.
Your personal life, your professional life, and your creative life are all intertwined. I went through a few very difficult years where I felt like a failure. But it was actually really important for me to go through that. Struggle, for me, is the most inspirational thing in the world at the end of the day - as long as you treat it that way.
We do not content ourselves with the life we have in ourselves and in our being; we desire to live an imaginary life in the mind of others, and for this purpose we endeavor to shine. We labor unceasingly to adorn and preserve this imaginary existence and neglect the real.
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