A Quote by Mira Sorvino

I could have seen myself going into academia, but I don't love it; I just like it. — © Mira Sorvino
I could have seen myself going into academia, but I don't love it; I just like it.
I liked teaching, but the bureaucracy of academia and the petty intrigue... It wasn't a good fit. Once I admitted that myself, that I didn't like academia, I was ready to try TV.
As a memorial, I'd like a statue. Not of me, but a little modern statue, in marble or bronze, maybe of a bird, in a park where children could play and people going by could see it. On it, I'd just like it to say: 'Maeve Binchy, storyteller' and people could look at the name and remember that they'd seen it somewhere else.
Choosing happiness is a scary thing. Choosing love is a scary thing. When I was in the war, not only did I not have a voice, but I had to make myself not be heard, not be seen, become dumb, mute, blind, invisible, just so I could survive. When you fall in love, you become alive, all of a sudden you are singing. For me, there was a fear that the person I love would one day leave me, whether by their own choice or that they would die. How was I going to survive that? Choosing love and happiness is to know life goes on. I had to believe that.
...I started photographing myself, and found that I could see portions of myself that I had never seen before. Since I face just my face in the mirror, I know pretty much what it's like. When I see a side-view I'm not used to it, and find it peculiar... So, photographing myself and discovering unknown territories of my surface self causes an interesting psychological confrontation.
Have you ever felt a potential love for someone? Like, you don't actually love them and you know you don't, but you know you could. You realise that you could easily fall in love with them. It's almost like the bud of a flower, ready to blossom but it's just not quite there yet. And you like them a lot, you really do. You think about them often, but you don't love them. You could, though. You know you could.
I'd just love magic. I'd love to be able to just click and transport. I'd be like a fairy little godmother, I think, going round hearing what people wish for and seeing what I could do for them.
I say to you, you want a thrill, volunteer to be an umpire. I'd like you to go just work the bases some day. Just go do that. You're going to love it. Try the slow-pitch stuff. You'll love it. Ask my son - he tried it! He said, 'I've never seen so many idiots in all my life.'
I think I would spend the first 30 weeks not writing, just clearing my head and seeing parts of the world I haven't seen and going back to places I have seen and love.
Love was a sacred garment, woven of a fabric so thin that it could not be seen, yet so strong that even mighty death could not tear it, a garment that could not be frayed by use, that brought warmth into what would otherwise be an intolerable, cold world- but at times love could also be as heavy as chain mail. Bearing the burden of love, on those occasions when it was a solemn weight, made it more precious when, in better times, it caught the wind in sleeves like wings, and lifted you.
I don't know what has caused this reawakening in academia. Obama? The GOP's assaults on science and on patients? Jon Stewart? I'm not at all sure. I just know I don't feel nearly as alone in academia as I used to. I'm feeling increasingly surrounded by fellow Ph.D.'s and by M.D.'s who seem to be taking a lot of things personally.
I was like, 'Hey, I love highflying. I love lucha libre. Can I just put on a mask and pass myself off as a luchador?' Everyone was like, 'You're going to do what you want to do,' so that's what I did for the first four or five years. I just put on a mask and pretended to be this luchador.
I don't need to be validated by academia, because that presupposes that academia is a pure endeavor and not guided by market forces, which is not the case.
I love to learn. But just going back into school because of what I do I'm so set in this path that I'm on right now and I'm so excited about it and I love doing it so much that I like to focus myself on one thing at a time.
I'm just not into trying to convince people like me. I always say to myself, 'It is what it is.' I walk into a situation knowing that people are either going to love me or they're not, and that's OK. I'm just going to be me. You can't be everything to everyone.
I'm not going to lie: There are times I play mind tricks on myself, like that the french fries are poison. With desserts, I'll let myself have just one bite, but I'll look like a freak when I'm eating it, like when I did Duncan Hines commercials as a kid, just savoring every morsel.
I really liked the idea of creating a journal myself. It's like the way I clear my throat. I write a page every day, maybe 500 words. It could be about something I'm specifically worried about in the new novel; it could be a question I want answered; it could be something that's going on in my personal life. I just use it as an exercise.
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