What I try to communicate is that there's a lot of crossover between that feeling of romantic heartbreak and this devastating feeling of knowing that we've punched a hole in the planet and it's spilling out oil and destroying the Gulf of Mexico and the ecosystem and seabirds and every creature.
I had that feeling you have when you're watching a sad movie, sobbing at the heartbreak you are feeling at the same time that you know the heartbreak isn't exactly real, that it will be gone by the time you get home and make a cup of tea. I found a lot of life like that when I was younger, as though I was practicing for what came later.
Is it in our national interest to overheat the planet? That's the question Obama faces in deciding whether to approve Keystone XL, a 2,000-mile-long pipeline that will bring 500,000 barrels of tar-sand oil from Canada to oil refineries on the Gulf of Mexico.
There is so much oil now in the Gulf of Mexico, and you can thank the folks of British Petroleum for this, so much oil in the Gulf, you can now park on it.
When you get to the tee on a really long par 5, I know what you're feeling. You want to let the shaft out on the driver and try to bomb it down there. I get the same feeling. But a big tee shot is not always the best strategy, especially on a long hole.
BP had a lease to drill. They did not have a lease to pollute the Gulf of Mexico. They did not have a lease to blow oil into the environment. They did not have a lease to disperse the oil and try to hide the body. They don't have a lease to clean up.
[The Women's Room] was the first thing I read that explained a lot of the feelings I was having and a lot of the rage and the feeling uncomfortable in my body and knowing that I was feeling a certain way in the world, but I didn't have the language for it.
It isn't always the funnest feeling, sparring three days a week, getting punched in the face at 38 years old, it might not always be the funnest feeling but it's better than a lot of other things. I love it.
When I wrote 'Help Me Make It Through the Night,' I was on an oil platform out in the middle of the Gulf of Mexico and was just thinking of myself.
The oil spill is getting bad. There is so much oil and tar now in the Gulf of Mexico, Cubans can now walk to Miami.
I like the feeling of not knowing where to look when you are only performing for one person or watching someone practice. It creates this kind of a strange in-between, which can be mirrored in the feeling of making a painting.
Everyone in Tool is interested in how we present our music. We write a group of songs that have a vibe, energy and feeling, and then we try to pick an image to capture that and communicate a feeling. We want something that adds to the connection with the audience.
The KXL pipeline would make it easy and cost effective for oil producers in Canada to transport oil to the Gulf of Mexico where it could be shipped to customers - not just in the United States - but around the world.
There was a time when I used to go to Mexico every year. But then Mexico changed a lot - between 1995 and 2005, Mexico changed a lot.
How about that oil slick in the Gulf of Mexico. And you know, the oil slick is going everywhere. So the next time somebody lands on the Hudson, it won't be that big a deal.
If I'm feeling hurt, sad, lonely, depressed, and then I shame myself for feeling that, then that's a black hole for me. I really have worked a lot to meet pain with both gratitude and gentleness.
Bad news, it's going to be a huge environmental disaster, the oil rig down there in the Gulf of Mexico. The good news is they think now that the oil spill will be diluted by the melting ice caps.