A Quote by Mirai Nagasu

I like to be bold and different and to go and try things. — © Mirai Nagasu
I like to be bold and different and to go and try things.
You know, in Fairyland-Above they said that the underworld was full of devils and dragons. But it isn’t so at all! Folk are just folk, wherever you go, and it’s only a nasty sort of person who thinks a body’s a devil just because they come from another country and have different notions. It’s wild and quick and bold down here, but I like wild things and quick things and bold things, too.
I try to do different things as much as I can. I feel like every actor, there's a limited number of tricks and go-tos. The real good stuff you can't get to unless it's something you haven't done before. So I try to make sure each thing is slightly different. Unless it's for the money. Then I don't care.
Every city is different for playing, actually. That's one of the hardest things: to play abroad. Because sometimes you know your city and your audience and you know what to play and what people will dance to. And later, you go to a place and you think this thing will work and you start playing and it doesn't work, and you have to be able to go to another side just to try to find what people like or whatever, or, like, try to make people dance as they are more used to. I don't know, it's quite strange - people dance in different parts of Europe in a different way.
Things that are really offensive make me laugh because I like things that push the envelope, go out on a limb, and are bold.
I like to go into things, and I like to make the most bold choice to tell the particular story being told.
Write on your doors the saying wise and old, "Be bold! be bold!" and everywhere - "Be bold; Be not too bold!" Yet better the excess Than the defect; better the more than less; Better like Hector in the field to die, Than like a perfumed Paris turn and fly.
So much about getting onstage is creating a connection with an audience that allows you to go different places and try different things.
If you have the opportunity to try different things, you should try different things and step outside your comfort zone and see what works and what doesn't work.
Being in the studio is like painting, you know, you can really take your time, and try different things, and kind of go deep into it.
I can't sit still for long and need creative outlets and think you should try different things. I mean, if you're a musician all of your life, you gotta try different things. I really believe you can have it all.
I am ready to go super bold. I would like to thank not just my husband but even my in-laws, who have had no problems with my bold characters. You may find it surprising that we all discuss my scripts on the dining table.
Many people who try to do big bold things in the world find out it's not about the money or the technology: It's about the regulatory hurdles that will try and stop you.
As far as personal philosophies go, I think you should know your ending. I know that's radically different from a lot of other writers who just organically like to find the story. Other than that, I try different things and mess around. I'm still just playing a good bit.
Go is one of my favorite things that I ever did. Not that I critique myself, but sometimes I'll be passing by the television, and I'll say, "Meh, maybe I would have done that a little different." I can't help [but] do that. But Go was one of those things - I really loved working with Doug Liman. Detective Burke in Go is one of those roles that's about everything I like to do. I love parts like that. And Go seems to be the thing that rolled it all into one.
Continue to be bold, courageous. Try to choose the wisest thing and once you've chosen the wisest thing go out and try to achieve it. Be it.
I wanted to try a different way of making music. That's what made me try different things with my voice.
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