A Quote by Mirai Nagasu

I pride myself on being Japanese American. — © Mirai Nagasu
I pride myself on being Japanese American.
I pride myself on being a family man. I pride myself on being respectful and hardworking. That's just me.
The American society around me looked at me and saw Japanese. Then, when I was 19, I went to Japan for the first time. And suddenly - what a shock - I realized I wasn't Japanese; they saw me as American. It was an enormous relief. Now I just appreciate being exactly in the middle.
There aren't many American directors here trying to direct a Japanese yakuza film. When you combine that with the fact that I don't speak much Japanese and this was an independent film I was financing myself - people were curious about what I was doing.
If you're Japanese and you signed up for Pinterest in Japan, you see Japanese ideas, not American ideas that look Japanese - it's a very big difference.
Pride in one's own race - and that does not imply contempt for other races - is also a normal and healthy sentiment. I have never regarded the Chinese or the Japanese as being inferior to ourselves. They belong to ancient civilizations, and I admit freely that their past history is superior to our own. They have the right to be proud of their past, just as we have the right to be proud of the civilization to which we belong. Indeed, I believe the more steadfast the Chinese and the Japanese remain in their pride of race, the easier I shall find it to get on with them.
During World War II, law-abiding Japanese-American citizens were herded into remote internment camps, losing their jobs, businesses and social standing, while an all-Japanese-American division fought heroically in Europe.
I always pride myself on being an inside and outside player and pride myself on what I can do inside the paint.
I no longer identify myself as Japanese or American but a 'citizen of the universe.'
As an American man of the 1990s writing about a Japanese woman of the 1930s, I needed to cross three cultural divides - man to woman, American to Japanese, and present to past.
I pride myself on what I do every night. I pride myself on my work ethic and how I carry myself. I want to be mature in my approach but focused and disciplined.
I don't speak Japanese, I don't know anything about Japanese business or Japanese culture. Apart from sushi. But I can't exactly go up to him and say "Sushi!" out of the blue. It would be like going up to a top American businessman and saying, "T-bone steak!
They didn't incarcerate the Japanese-Americans in Hawaii. That's the place that was bombed. But the Japanese-American population was about 45 percent of the island of Hawaii. And if they extracted those Japanese-Americans, the economy would have collapsed. But on the mainland, we were thinly spread out up and down the West Coast.
I recently wrote a piece on comics in architecture - I was talking about the three kinds of comics I pay attention to: the Franco-Belgian, the Japanese manga, and the American comics. I started thinking about the relationship between Japanese manga and Japanese architecture, or Franco-Belgian bande dessinée versus Franco-Belgian architecture, it began to make sense; there are parallels to the modes of operations and the cultures they belong to. If I didn't force myself to write, I would have no forum to clarify these thoughts. Writing is really helpful.
We celebrate pride every day of the year - whether it's black pride, whether LGBTQIA + pride, whether it's the pride of being a woman, whether it's the pride of being a mother, we should be proud of who we are each and every day.
I'm a first-generation American. My parents are from Nigeria. I had this weird last name that looked Japanese, and then people would see me and go, 'Oh. You're not Japanese.'
But when we came out of camp, that's when I first realized that being in camp, that being Japanese-American, was something shameful.
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