A Quote by Miralem Pjanic

My dad was a midfielder, like I am, and he was good, too. When I saw him playing as I got older, I could see he really knew how to play. He didn't have all the chances to grow and have a great career that I got, but he did what he could.
If you want to play the game and win, you've got to play 'full out.' You've got to be willing to feel stupid, and you've got to be willing to try things that might not work - and if they don't work, be willing to change your approach. Otherwise, how could you innovate, how could you grow, how could you discovery who you really are?
I started playing violin because I was fascinated by how violin players could play so fast. I would buy their cassettes, and learn different concertos, but then I started rounding out my collection. My dad was a big jazz fan, so I just started hearing a lot more soul music. I loved Little Stevie Wonder, and I got really into him as a singer and a writer as I got older.
When I had finished the book I knew that no matter what Scott did, nor how he behaved, I must know it was like a sickness and be of any help I could to him and try to be a good friend. He had many good, good friends, more than anyone I knew. But I enlisted as one more, whether I could be of any use to him or not. If he could write a book as fine as The Great Gatsby I was sure that he could write an even better one. I did not know Zelda yet, and so I did not know the terrible odds that were against him. But we were to find them out soon enough.
My dad was in the movie 'Moonwalker,' and I knew he could sing really well, but I didn't know he could act. I saw that, and I said, 'Wow, I want to be just like him.'
My dad - Gaby Yala - played for the Congo national team as well, at Under-21 level. When I see him playing, even today, I could see he's got something about him.
Once I got a bit older, and we could see there could be a future in football, it was everyone's blessing to chase that dream. And it did me a lot of good: It put me through college, it gave me an education, it got me a little taste of pro ball and a lot of good memories. I don't regret any of it.
Eddie Cochran - I never got to see him live, but he could play. Him and Buddy Holly, they were the best guitarists. They could get a good raunchy beat going.
I tend to prefer the band thing. I think playing solo is good for about 45 minutes. I remember when I was on my solo tour that I got a chance to play with Martin Stephenson of the Daintees. He's now refashioned himself as almost a delta blues guitar player and he's got all the technique, all the persona and the charisma on stage. I think I do too, but I'm more of a first position strummer guy with a little bit of filigree work. I could listen to him for hours; I could listen to myself playing solo for about half an hour!
I found him perhaps the least terrifying man I've ever met in the theater—because at first glance I could see through him and he could see through me, and he knew that I knew that he knew. Look, love, I've been bullied all my life by bigger experts than Larry Olivier, I can assure you, and he's just got to get in line.
I knew I could play well on the grass, but I really played so well today. I knew exactly what I had to play to beat her. I just did everything I could in the moment. I was very focused for every point. I knew that I had to go forward for every shot I was playing to push her back, and yeah, I did it.
Early in my career when I was with Montreal, we had a lot of good outfielders like Otis Nixon, myself, Marquis Grissom and Larry Walker. We all did the platooning thing, although each one of us could have played every day. We got everybody in the lineup, and everybody got to play.
Honestly, I didn't like snowboarding when I was a little girl. As I got older, it became something I did with my dad. When I was 10, I knew I was good for my age, but I never felt that I was prodigy-level or anything like that.
Both my grandmothers had upright pianos, and I just knew how to play since I was a child. Nobody taught me. I sounded like a grown-up, and then I learned how to read music. I played so well by ear I could fool the teacher to believe I could play the notes. She'd make the mistake of playing the song once, and I could play it.
When the album 'Duke' came out, by Genesis, Phil Collins beat Dad in a drummers poll. My dad got me to learn 'Turn It On Again' by Genesis. I'd play it, and he'd go, 'Do it again,' until I got it right. I'd play it until I nailed it, and then he went, 'I don't see what the big deal is. My 12-year-old son could play that song.'
As my sister got older, I saw how excited she got when she got to do all of that stuff. I was always like, "One day, I'll get to do older parts." I thought that was cool.
Even when I was young I wanted to be an actress. I knew the actors and the paparazzi. It was just kind of always in my landscape. It was never directed at me, but it was always somewhere so I could see how it operated and I could see it from afar and go 'Wow, that's not really glamorous, it's kind of exhausting not having any privacy.' So it was never something I pursued. The first time I saw the billboard for Pretty Little Liars I almost got into a car accident!
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