A Quote by Miranda Cosgrove

Even with college, the reason I wanted to go so badly is because I wanted to major in film. I want to take screenwriting classes and learn more about behind the scenes stuff, because I love people like Steve Carell and Kristen Wiig who are able to write a lot of their own material and be so involved in everything they do.
When I started as an assistant at 'SNL,' I got my eyes on Kristen Wiig and was able to bring her for an audition for Lorne Michaels and the other producers. Turns out, Kristen Wiig can give you some street cred early on.
I was in school, but I wasn't into school. I wasn't doing what I wanted to be doing in school, which was film studies. That was what I intended on doing, but I didn't go away to a university because I wanted to stay in L.A. and audition while I took classes, so I elected to go to a community college and just take G.E. courses. It was terrible.
At first I didn?t give a damn to go down in history. I wanted to win. But the more I won, the more I thought about leaving something behind. Yes, it's as important as hell to me. I want to leave something that people will remember me by. Of course, a lot of boxers want to do that. But it's not easy. Take Larry Holmes, he was the big man after Muhammad Ali, he wanted to emulate him, but for some reason the public didn?t take him like they did to Ali. I think people won?t fully understand what I contributed to the sport for years.
I feel lucky in that I don't really have to go to college to study something job-specific. I just want to go to learn about what is interesting to me and learn about the classes that you don't really get to take in high school because you have to take the basics.
I did theatre a lot when I was a kid. Then I went to acting school in New York. I did a lot of behind the scenes in college. I wanted to learn while I had the time. I studied theatre and film in different capacities.
I think with my book, I wanted to first of all just be completely involved in it. I wanted to write it; I didn't want a ghost writer. I wanted to be honest about everything.
The more screenwriting you do, the more you become aware that particular scenes aren't going to end up in the movie because they're too expensive. That has perhaps changed the way I think about writing novels, actually, because now I write expensive scenes whenever I can.
I've pretty much grown up on set, and my favorite part about it is being able to actually see how movies are made. I knew when I was about 14 that I wanted to be a director and that I wanted to go to NYU for film school. It kind of feels like it's been a long time coming.It's a relief to actually be in, because the college process is so hyped-up.
When I went to college, I wanted to major in kinesiology. That's what I wanted to do, but just the way our schedule matched up - our football schedule and the college of kinesiology - all the classes were in the morning and football practice was in the morning. So there was no way for me to take all the classes that I needed to. Once I got into those core classes, it would have been hard for me to do it.
I wanted to be involved with the making of some kind of parallel world. I thought, there's no reason to go to different parts of our world, because you can write them. You can stay home, stay in a little room, and imagine all these worlds. And I wanted to do that. Why did I want to do that, I'm not sure if I can tell.
The reason I'm here today, the reason I own a brand new Harley-Davidson motorcycle and the reason I have a big log cabin and I got cars and all kinds of stuff is because I'm a writer and writers own everything. So you learn how to write.
As a young filmmaker, I shot a lot of stuff because I wanted to make sure that I got everything, but now I've gotten much more precise with my shooting. Editing is a whole other layer because then, sometimes you realize characters don't even need to say this or that. It becomes an issue of exposition, and over-explaining something. In the script, I'd reinforce certain things about what I wanted people to know two or three times, but in the editing room, I'd be like, "I only need to say this once, maybe twice."
Both as a filmmaker and as a fan I love the behind-the-scenes stuff, I like it even more than deleted scenes frankly. Especially when you're happy with the movie and you're proud of it, those deleted scenes give you also a sense of the making of the film and the process through which you end up with the final product.
I wanted to stay in the game. I wanted to learn more about the league, what goes on behind the scenes. As a player, you don't really think about that, nor do you really care: you're worried about your job.
I didn't want to be on a major label. I wanted all the attention and the noise to go away because I wanted to be something a little bit more substantial.
I was a poor kid. I grew up watching film and television but primarily television. And I graduated high school, and I knew I wanted to go to college because nobody in my family had. So I was like, 'I'll go and be a theater major.'
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