A Quote by Miranda Cosgrove
Sometimes I get kind of bored if I go like a month or so and I'm not doing anything. At first I'm like, 'Cool, I'll have a little time off and I'll get to hang out with friends,' but then after a little while goes by I'm like, 'Oh,' and I really wish that I could go back and start doing work again.
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When you have a relationship with a label, it can really affect the work you're doing and if you feel like they don't believe in you sometimes you go: "maybe I'm not any good at this". Then you get on a label that is excited to have you and you go: "oh, maybe we are ok at this". It gives you a little more confidence and you work a little better.
I'm writing all the time, really. It's become a little bit of a problem when I go home. Sometimes I should really go out and hang out with my friends, but what happens is I get really inspired and then just go and mess around on the computer.
My social life goes in bursts, where I get like, "Oh, I gotta get out and do something, man, I gotta do something." And I'll plan a trip and go on a motorcycle trip down the Baja Peninsula for 900 miles and I'll hang out with my friends for like a month, and then they'll never see me for two months or three months or whatever, and I won't answer any calls.
I've had plenty of friends tell me that their first time doing stand-up, they do well, and then they tank for a while after that. Kind of like the first time you do a drug, you're like, "Huh! This is pretty darn good," and then you spend all your money trying to get the same high.
I think festivals are way more easygoing than back-to-back tours are. 'Cause for me, when you get to go to a festival, you get to hang out all day, and you're really taken care of, and there's usually a little artist village where all the artists have their own tents, and it's catered, and then you go and play an hour-long set depending on where you are on the lineup. And then you go back and you hang out and you even get to go watch other artists play. So it's really just a fun interactive experience for everybody.
I like doing this stuff [stunts] though, it's kind of the whole reason that you want to do the movie. When you're reading it you're like, "Oh, I get to dive out a window? Cool! I get to jump off a building? Great!" So I love doing that stuff, it's like the stuff we used to do in high school to be stupid and fun.
I really like the animated film process. It's kind of like doing a play, because you can experiment with it, rewrite it, screen it, go back, then work on it a little bit more. If the joke doesn't work, you can fix it. It's different from a live action movie.
At first, when you go to premieres and award shows, you're thinking, 'How the hell am I here? All these people I've never met are here, and it's so cool!' And then, as time goes on, it's a little bit like, 'Ah... it's more like work.'
I wish I could go back and re-write my first novel for the first time. Because I really didn't know what I was doing, and although it was published, it is, after all this time, kind of an embarrassment.
At the end of whatever we're doing, I always feel like I want to go back and start over again because now I have a better sense of what it is. I feel that with everything. Like, if you're doing like a long run of a play and you're doing it seven shows a week, at the end of it, I want to go back and start from the beginning.
I love talking to my friends at uni and seeing what they are doing. They're just finishing their dissertations, and I kind of wish I could live their life for a second. I wish my school days could have dragged on a little longer, or that I could go back and do it later in life.
I would like to get out to the region in the Caspian sea. I would like to go there. I would like to get to Darfur. I would like to get to Khartoum in Northern Sudan. I would like to get to Zimbabwe. I would like to go back to North Korea, if I could. I would like to go to Yemen. I would like to get to Kashmir. Most of those destinations I will get to.
I gotta go through, like, a little routine when I wake up in the morning to get everything functioning and ready to go. But, the only thing is everything just goes back to gridlock so fast once I sit down, 'cause you know you go to work again.
When you get busy, the priorities change. In your twenties, you hang out with who you were in school with. Then you grow up and you hang out with the people you're playing ball with, things you like doing with. When you get married, it changes a bit and you lose some friends, or you gain other friends. You gain couple-y friends. It changes again when you have children, and then when your children are the focus of your life.
You've just got to have to put the work in. Put work first. Put the hours in and the time in, and do your job. And when you get a little time off, you can go out and have a little fun. But you have to make sure you get done what you need to get done first off.
When I look at the directors that I really love, who really develop their films over time, they're almost always the ones who go back again and again and again at the same investigations. I think that when somebody has a theme they go after, it's fun to service that. It's like, "I know you now. I know what you go at." It helps you locate yourself a little bit quicker in their world.
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