A Quote by Miranda Hart
If taking one-self seriously as a woman means committing to a life of grooming, pumicing, pruning and polishing one's exterior for the benefit of onlookers, then I may as well leave my unwieldy rucksack to the top of a bleak Scottish hill and make my home there under a stone, where I'll fashion shoes out of mud and clothes out of leaves.
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My fashion has no time, no season. It doesn't go out of style. If someone decides that clothes can go out of fashion, then you are deciding a woman can go out of fashion.
I had a period in my life, maybe a decade or so, in which I was involved in that kind of thing, associating with the elite of various segments of society. It always made me extremely uncomfortable. I couldn't wait to get out of there and change my clothes. The good part about that was getting home and changing into my regular clothes. Taking off the suit and the tie, taking off the tight shoes, and just relaxing. Being away from that stuff. It was stimulating, but I never liked it. I always felt it was a terrible, terrible burden.
While clothes may not make the woman, they certainly have a strong effect on her self-confidence, which, I believe, does make the woman.
If you leave the pool you have dug for yourself and go out into the river of life then life has an astonishing way of taking care of you, because then there is no taking care on your part.
The idea of taking off my shoes and trying on all these clothes is so exhausting, I just leave.
I want to look classy and sophisticated. For the "Running" video, I wanted to make a bit of a statement and to be slightly over-the-top. I'm not taking the piss out of myself, but I'm not taking myself too seriously, either. I'm just having fun and trying to pretend I'm a pop star, really.
Don't go taking that gospel stuff seriously. It's nice to clean you out now and then, but it ain't for real. It's like bad whiskey. Run through you fast and leave you with pain.
She is a woman of honour and smartness whose wild leaves out luck, always taking risks, and there is something in her brow now, that only she can recognize in a mirror. Ideal and idealistic in that shiny dark hair! People fall in love with her. She is a woman I don’t know well enough to hold in my wing, if writers have wings, to harbour for the rest of my life.
There may be problems we still need to tease out, but we will leave no stone unturned in our bid to make London the host city.
If truth is like the terrain, are we the generation who sees it as one who has worn shoes all his life or one who has never worn shoes? Yet still, even if the walk starts out as painful, the experience may be well worth it.
Well, I'm obsessed with shoes - small shoes, weirdly shaped shoes, hotdogs in shoes, things sliding in and out of shoes.
In the beginning, God created the earth, and he looked upon it in his cosmic loneliness. And God said, "Let Us make living creatures out of mud, so the mud can see what We have done." And God created every living creature that now moveth, and one was man. Mud as man alone could speak. God leaned close to mud as man sat, looked around, and spoke. "What is the purpose of all this?" he asked politely. "Everything must have a purpose?" asked God. "Certainly," said man. "Then I leave it to you to think of one for all this," said God. And He went away.
He is not famous. It may be that he never will be. It may be that when his life at last comes to an end he will leave no more trace of his sojourn on earth than a stone thrown into a river leaves on the surface of the water. But it may be that the way of life that he has chosen for himself and the peculiar strength and sweetness of his character may have an ever-growing influence over his fellow men so that, long after his death perhaps, it may be realized that there lived in this age a very remarkable creature.
I have two homes, like someone who leaves their hometown and/or parents and then establishes a life elsewhere. They might say that they're going home when they return to see old friends or parents, but then they go home as well when they go to where they live now. Sarajevo is home, Chicago is home.
When I was in my early 20s, I looked towards exterior things to make me feel sexy - guys, clothes, shoes, etc. Now it's all about how I feel internally.
Writing a film is like building a brick wall. You have a plan, and you have the blocks. Then, somebody says, 'I think we'll take this stone out of here and put it over there. And while we're at it, let's make this stone red and that stone green.'
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