A Quote by Miranda Lambert
I learned a lot about my audience and about myself as a performer, what I like to do live.
Related Quotes
There is one relationship I was in that I learned a lot from. I learned a lot from the situation about myself and about relationships and about love, about how to relate to people, about forgiveness and the stuff that comes with being in a relationship.
When you talk about the exchange of energy between performer and audience and audience and performer, I hope that I'm one of the best.
To achieve the intimacy between performer and audience in storytelling, I feel like I have to let the audience in on my emotional state, not just, "Here's a story I'm going to tell by rote, and you're just going to listen to it, because I'm such a wonderfully entertaining fellow." It's the idea of sharing enough of myself that it's not just all about, "Look at me, look at me." There's an element to it of, "You understand what I'm talking about, right? You've been in this place that I've been in," which makes it a richer experience.
I don't think I changed a lot although I learned a lot. Adversity can be a wonderful teacher. Some people can't handle the pressure of it. For me it was a great thing. I learned about myself going through tough times. I guess I learned well.
Pittsburgh's definitely the city where I learned how to be on a stage, hold a microphone, and interact with an audience. It's where I got my chops as an entertainer and as a performer, so I'm grateful to the queer community there because they are active and vocal and they care about each other.
I’ve learned that a storm isn’t always just bad weather, and a fire can be the start of something. I’ve found out that there are a lot more shades of gray in this world than I ever knew about. I’ve learned that sometimes, when you´re afraid but you keep on moving forward, that’s the biggest kind of courage there is. And finally, I’ve learned that life isn’t really about failure and success. It’s about being present, in the moment when big things happen, when everything changes, including myself.
Over the years, I've learned a lot about nutrition and about myself, so it's a lot more based on feel. I stopped putting a number on it because people were analyzing it too much.
Soap operas are like boot camps for film actors, so I really learned a lot. It was a masterclass in working for camera. I made myself watch myself every day. I would sort of try and be objective about it and critique myself a little. There's a lot more skill set than people realize in soap operas. They shoot, like, 35 scenes a day.
There's a lot to the story. And there are a lot of things I've learned about myself and about love, and I'm really grateful for the lessons, and I hope I can share that through art. I look for projects that allow me to do that, whether it's music or acting.
I learned a lot about working with children, and about myself, and it reinforced my decision to pursue a career in teaching.
I think about the audience in the sense that I serve as my own audience. I have to please myself the way, if I saw the movie in a theater, I would be pleased. Do I think about catering to an audience? No.
I do actually like performing to a live audience. I like the response. I do a lot of Doctor Who conventions now, and the reason that I do them is that there is a live audience I can get to directly.
I learnt a lot about myself, I learnt a lot about other people and the problems they have. If I was lucky enough to live to a hundred, how I will feel about two per cent of my life being that way, I don't know.
A lot of my songs are about death and the fleetingness of life. It just feels good to remind myself about that a lot. For whatever reason. And it's a beautiful thing, actually. It seems to me like it's a beautiful way to live in the world and to relate to things, with an awareness of temporality.
I went to school for about 2 years on a technical course, and I learned a lot. I learned about air mixture ratios and all the stuff; I learned how to draw blood.
I believe that classical music comes through listening and practice, and it can be fun both for the singer or performer and the listener or audience, as long as the performer is taught to recognise the pulse of the audience.
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