A Quote by Miranda Lambert
I'd love to get played on the radio, but it just doesn't happen.
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You get to a certain age, and you are forbidden access. You're not going to get the kind of coverage that you would like in music magazines; you're not going to get played on radio, and you're not going to get played on television. I have to survive on word of mouth.
Listen- my relationship with radio on a personal level is nothing but a one way love-a-thon... I love radio, I grew up on radio. That's where I heard Buddy Holly, that's where I heard Chuck Berry. I couldn't believe it the first time I heard one of my records on the radio, and I STILL love hearing anything I'm involved with on radio, and some of my best friends were from radio. But we were on different sides of that argument, there's no question about that.
I'm well past the age where I'm acceptable. You get to a certain age and you are forbidden access. You're not going to get the kind of coverage that you would like in music magazines, you're not going to get played on radio and you're not going to get played on television. I have to survive on word of mouth.
Just because my song was being played on the radio didn't mean I had a load of money. You don't get royalties overnight.
We lived out in the middle of nowhere - the most random places - because of my father's work. We spent a lot of time in the car on long drives, just to get anywhere. We listened to oldies rock on the car radio, and the most-played group on oldies rock radio is the Beatles.
When I first started, it was the real basic stuff that was being played on the radio, so I was into Zeppelin, and Sabbath, and AC/DC, and all stuff like that. I grew up in New York, on Long Island, so the local radio stations played all that kind of thing.
Not every song of Lynyrd Skynyrd's was a single, but songs like 'Tuesday's Gone' and 'The Ballad of Curtis Loew' and 'Made in the Shade,' 'I Need You,' people learned those songs from the radio because radio played albums, not just singles.
It is difficult to get played at my age on the radio.
I remember when we were mixing our record and our manager was in there going, 'You guys need to sing more, so it can be on the radio.' And we were like 'What? We're never going to get played on the radio. Who cares? What are you talking about?'
I don't make music for the radio. And when I was being played on the radio a lot, I didn't.
The fact we get played on the radio now blows our minds.
I don't get played on radio anymore. Once you're over 40, forget it.
I've always said that if you have songs on the radio and get played, you've got to have a tour to support that.
I can never think about, 'Is this going to sell? Is this going to work on radio?' I just have to get in the zone where I'm like, 'Do I love this, or do I not love this?' Essentially it all comes down to that.
We played New Year's Eve in Los Angeles, maybe 1978, opening for Kansas or somebody. Driving to the hotel after the gig, we came on KLOS. It was like, 'All right! We're in L.A., we just played a big gig, and we're on the radio!' That was the start of something big.
I don't really map anything out. I just let it happen [while writing]. But once it happens, it's always there. If it's laid, it's played. If I get to page 300 and it's not working, I junk it.
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