A Quote by Miranda Lambert

Yeah, I have a tough-girl image. — © Miranda Lambert
Yeah, I have a tough-girl image.
'Tough' meant it was an uncompromising image, something that came from your gut, out of instinct, raw, of the moment, something that couldn't be described in any other way. So it was tough. Tough to like, tough to see, tough to make, tough to understand. The tougher they were the more beautiful they became.
In France, the image I had was of a shy girl - a poor lonely girl and not too good-looking. When I went to England, I had another image. I felt the journalists were much more interested in my looks than in my songs.
When you don't make the playoffs, or you're not producing a product that you're proud of, then, yeah, it's tough on everybody... it's tough on the fans all the way down.
Yeah, I love ponytails. I'm a wash-and-go girl. But, oh yeah, I like to whip it.
You're not that girl,' Cole said, sounding tired. 'Trust me, I've seen enough of them to know. Look. Don't cry. You're not that girl either.' 'Oh yeah? What girl am I?' 'I'll let you know when I figure it out. Just don't cry.
I never wish to have an image of a sexy girl or an item girl.
Kayden: Yeah, but you're a girl. Me: Oh, I forgot for a sec. Thanx for reminding me. Kayden: I haven't forgotten at all. In fact, it's all I think about all the time. Me: That I'm a girl?? Kayden: That ur a girl I very badly want to touch right now
I mean, in my - and I'm not trying to do spilled milk, but in those days it was a little - I think it was much tougher, because you got an image, and you were in a saloon. And it was tough to come out of a saloon and to get in films, and to maintain an image, you know.
Yeah school girl, cool girl. Your dress is sexy and your momma is a cougar.
It's very tough to give advice because it's tough out there for everybody but for a girl it's even tougher, because I don't think the glass ceiling has changed at all in the past 30 years. Otherwise the radio would be covered with girl bands, or girls in bands, so I don't think much has changed on that level. But I think that bands can still have a lot of success trying to go another route.
Remind me again what's wrong with Dave Matthews?" "Basically everything, except technical proficiency," Walter said. "Right." "But maybe especially the banality of the lyrics. 'Gotta be free, so free, yeah, yeah, yeah. Can't live without my freedom, yeah yeah.' That's pretty much every song.
There is an image of me in France that is a long stretch from who I really am. I read about this girl who lives in grand hotels and has affairs with American actors - I don't recognise this girl at all. Sometimes it makes me depressed. Sometimes it makes me laugh. Sometimes I think, 'Gosh, that sounds nice, I'd love to be that girl.'
It's an image that the media has given me as a bad girl, and the only reason they gave me that image is just because of the few things that have gone wrong in my life, and also because I grew up living in a trailer.
That depends. You’ve got to define ‘party girl.’ If you mean I’m a walking good time, then hells yeah. But I’m not wasted and stumbling out of clubs and getting DUIs. I’m not that kind of party girl. I may be blonde and fun as balls, but I’m not a moron.
The image my work invokes is the image of good - not evil; the image of order - not chaos; the image of life - not death. And that is all the content of my constructions amounts to.
In 'The Trip,' I play the character named Ananya Makhija, a Delhi girl who wants to get married. This is a different character from whatever I have portrayed onscreen so far - of a sweet, small-town girl. Most importantly, you will not find a trace of my character from 'Masaan.' So, I think this will change my image of a small-town girl.
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