A Quote by Miranda Lambert
I have a pretty good ear.
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I would think that the drumstick is probably pretty good. Because you can put that anywhere. If you are a strong guy, you can put it in the throat, the nose, the mouth, the ear. It's also easily concealed. The guitar is pretty good, but you have to break it. And that's pretty difficult.
I'm kind of the town pump. I think I have a pretty good ear for what sounds good in this style.
I've got a pretty good musical ear, and I can pick things up.
I'm a pretty private person, so I'd like to say I'm a good ear and that I keep my mouth shut.
I don't have an audience in mind when I write. I'm writing mainly for myself. After a long devotion to playwriting I have a good inner ear. I know pretty well how a thing is going to sound on the stage, and how it will play. I write to satisfy this inner ear and its perceptions. That's the audience I write for.
I suppose because I have a good ear, I could pick out harmonies and learn by ear. I still think that you have to have an ear for music to really be able to feel and understand what you're playing. You can learn by watching and listening to other people.
I suppose because I have a good ear, I could pick out harmonies and learn by ear... I still think that you have to have an ear for music to really be able to feel and understand what you're playing. You can learn by watching and listening to other people.
Chris is the engineer down at the studio where we do these things. And he's just such an integral part and he has such a marvelous ear. Also it turns out, we didn't know, but he's a pretty good fiddle player.
I could never overstate the importance of a musician's need to develop his or her ear. Actually, I believe that developing a good 'inner ear' - the art of being able to decipher musical components solely through listening - is the most important element in becoming a good musician.
You just need the ear. But the ear is something, I guess, that you can't buy. And I can't play the piano fluently, but I feel like my ear is my strong point.
I have a pretty good math mind, so I can see patterns, but I don't have a great ear. It's like a tragedy - I can see so much more natural musical ability in so many other people.
I have a condition called Menieres disease which is a problem with fluid retention in the inner ear. It has four symptoms: ringing in the ear, pressure in the ear, fluctuating hearing loss, and attacks of vertigo.
An ear for music is very different from a taste for music. I have no ear whatever; I could not sing an air to save my life; but I have the intensest delight in music, and can detect good from bad.
You look at any roster and you say, 'Geez, he's pretty good. He's pretty good. He's talented. He comes off the bench?' All of a sudden, it's, 'Geez, that's a pretty good roster they got right there.'
My view is that you cannot close your mind and say I don't want to listen to this or that. Because if you can't appreciate the bad for being bad, you can't appreciate the good. If you turn a deaf ear to everything but one style, pretty soon it's not going to work out.
If the nose has become a deeply disillusioned and grief-stricken organ in the modern world, then what of the ear? The poor little ear - such an innocent, intelligent and sensitive creature; in these times of such flagrant sonic brutality, the sense within the ear has much to contend with.
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