A Quote by Miranda Otto
Theres such big pressure on people who are incredibly famous, on those who have people sitting outside their front door and taking photos every time they move.
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There's such big pressure on people who are incredibly famous, on those who have people sitting outside their front door and taking photos every time they move.
What bothers people more than anything is that I'm an old guy taking photos of them. But maybe if you look at the photos, 20, 30 years later, it's not going to matter who took the photos. I mean, they would just be there. People will hopefully get over that.
The people who are on the front lines every day in hospitals, nurses, the people who are running clinics, the people who are taking care of your children, those are the people who are the lovers of the world, are the good of the world.
It's an incredibly limited sphere those tabloids have, isn't it? Basically, they can accuse people of being gay and they can accuse people of taking drugs, but they can't get any more sensational without entering into the realm of incredibly bad taste.
One of the things I do in banking committees is put pressure on them, and one of the other things I do is through my website, through outside pressure, and I ask people to come and help us join that fight where we can get people outside to keep putting the pressure on the Senate to make sure there are no compromises and weakening of Dodd-Frank.
I've never really been interested in the vintage photos people pay lots of money for -- civil war tintypes or old daguerrotypes of famous people. Nor do I have any interest in the really gross, dark stuff that some people pay top-dollar, like post-mortem photos of babies (yuck) or press photos of old murder scenes or whatever. I collect in these little niches most other people don't care about -- dark-and-weird-but-fun -- and photos that have been written on, which a lot of sellers think hurts their value. All of which is good news for me!
Some of my favorite photos from the old days are of people who maybe didn't know how to smile. Maybe smiling in photos wasn't an accepted form of behavior back then. But the big eyes and the oversized dolls that people are carrying, and it's something about their hair - the anachronisms of these photos are really what creep me out.
People love photos. Photos originally weren't that big a part of the idea for Facebook, but we just found that people really like them, so we built out this functionality.
Every revival in history seems to be the result of a few people becoming so hungry for God that they wanted Him more than oxygen. Those who have such hunger will not be denied. It's time to seek a revival that becomes the most famous address in the world. It's time to seek a move of God that won't quit moving.
I'm not in the media that much, so people don't know my personality very well - they just know my work. I feel bad for people who have to read about my personal life and my relationships and see photos of me going through security at an airport. It's like watching a commercial for a hamburger that looks delicious, like a Big Mac, and then going to where they make it and taking photos of what it looks like behind the counter, and it's horrifying.
I come from Beverley in East Yorkshire, and no one there would step outside their front door, or even their back door, on a Saturday night - or any other time, for that matter - unless they were dressed to the nines.
I knew I liked art. I knew I liked photography. I remember seeing photos of Linda Evangelista in Italian Vogue as a teenager, and at the time I didn't know who she was. There were two photos - one shot by Fabrizio Ferri and another one by Steven Meisel. I didn't know who any of those people were. I think it was the first summer I was modeling, I saw these magazines sitting out and looked at them. I remember thinking, These are the kind of images I want to make.
What's hilarious is people taking photos and they think you don't know. It's the funniest thing I've ever seen. Like taking a picture of their mate for example but about three foot wide of their face - and the flash is on half the time!
The problem for us, as viewers, is that we want famous people who are passionate about the things they're famous for, because that makes them worthy of the attention. But I think many of those famous people just want to be famous.
There's always going to be that pressure when you're in front of the camera. When you're famous it's just an extreme version of reality and there's a pressure to look a certain way.
When you talk about avant-garde cuisine, the surprise factor is really important. For example, I love looking at blogs and the photos, but I'm not that keen on other people taking photos of my dishes.
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