A Quote by Miranda Otto

Whenever I mention Greg Kinnear's name to anyone, they always say, "Oh, love him!" He's a really terrific actor, and very funny. — © Miranda Otto
Whenever I mention Greg Kinnear's name to anyone, they always say, "Oh, love him!" He's a really terrific actor, and very funny.
Take my gay-hairdresser routine. You'll let your hairdresser say things to you that you wouldn't let your parents say. My hairdresser will say the funniest things, so I asked him if I could put him in my routine - you know, make fun of him in a good way. He said, 'Oh, mention my name, mention my name!'
Acting is what I'd always wanted to do; hosting 'The Soup' was more because of Greg Kinnear.
Bill Murray is a wonderful actor, and he's very funny, and I've seen him be serious and terrific.
My intention with The Soup was to hopefully follow in the footsteps of past hosts, like Greg Kinnear. The pedigree of that show was really good and if it could just get me into some of those audition rooms I've always wanted to get into that I could not get into, then I would be very happy.
It's funny, I lived my first 38 years of my life with maybe one or two people ever saying that I looked like Greg Kinnear. As soon as I get into the entertainment industry, now it's 100 percent of people.
Whenever you get on the plane, the flight attendant will always tell you the name of your pilot. Like anyone goes, Oh, he's good.
Rory is very established in England, which you are seeing right now with Bond. But his father Roy Kinnear was a very, very beloved comedy actor here in the UK. And Rory actually even looks a bit like his dad. And so it makes a lot of sense to me that Rory has such good comic chops because it's in his blood. He's very, very funny as Sean.
I think I was trying to choose a name for him, and my flatmate was like, 'Oh, you should call him Diana.' I was like, 'Yeah. Very funny.' I think someone then said 'Diana Spencer,' and I'd always wanted to call my dog quite like an old person name, like Janet or something like that. 'Spencer' weirdly fit that bill.
Oftentimes, whenever I do interviews with guitar magazines and we discuss my influences, I mention people like Steve Morse, Alex Lifeson, Al Di Meola - but John Scofield's name never comes up. And that's funny because he's so amazing; he's the epitome of a really cool guitar player.
It's weird how an actor can read a script and think 'it's really good, it's really funny, that's going to be really dramatic...' and then you get there and say: "Oh, I have to get in it? I have to get in the water?! Are you kidding?"
It's funny because, if you're not an actor, people always tend to say, 'How do you memorize all those lines? Is that really hard?' I'm always like, 'That's just a small part of it. I have to seek my craft and my emotions' - you know, all this gross, actor-y stuff.
Your boyfriend and Micah will both be speechless." I unfastened my seatbelt. "That's the third time I've heard 'your boyfriend.' What's going on about that? Why won't anyone say Brayden's name?" Neither of them answered right away. Finally, Jill said sheepishly, "Because none of us can remember it." "Oh, come on! I'd expect that from Adrian but not you guys. It's not that weird of a name." "No," admitted Eddie. "But there's just something so...I don't know. Unmemorable about him. I'm glad he makes you happy, but I just start to tune out whenever he talks.
What I like best is a book that's at least funny once in a while. What really knocks me out is a book that, when you're all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it. That doesn't happen much, though.
Anyone can have bad sets. I saw one guy who I really love - I won't mention his name - gave a set that was really bad. And then one month later did the exact same set on our show and it was great.
I remember when I worked with Fassbinder in Germany, actors wrote letters to him. But you see, a director wants to discover you himself. He doesn't want the actor to say, 'oh, I'd love to work with you' - the actor says that to other people, too.
But that wasn't fancy enough for Lord Byron, oh dear me no, he had to invent a lot of figures of speech and then interpolate them, With the result that whenever you mention Old Testament soldiers to people they say Oh yes, they're the ones that a lot of wolves dressed up in gold and purple ate them.
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