A Quote by Miranda Otto

I'd always had a big thing for the '60s. — © Miranda Otto
I'd always had a big thing for the '60s.
The collages I never wanted to sell. I thought it was a very private thing, so I kept the collages. Then, in the end, I had a big collage in the Pinault Collection in Venice and the director of the [Centre] Pompidou said, "Did you make big collages like this in the '60s?" I said yes, so he came to the studio and said, "Let's make an exhibition in the Pompidou."
I grew up in New Jersey in the '80s. That means one thing: Big hair. ... I had big hair, my boyfriends had big hair, we all had big hair. Our prom looked like the poodle division of the Westminster dog show.
I've always had this thing about it not really mattering where you're from, because there's always been this big cloud over America saying you have to live in L.A. or you have to live in New York to make it. I always knew it didn't matter as long as you had the songs.
I'm much more conscious of historical events since the '60s. In the '60s, I was insulated by my own addictions, my own lifestyle, from what was going on in the world. After I recovered I was amazed at certain people who had died. I hadn't noticed that they had gone. Not friends ... I'm talking about public figures who had passed away.
The '60s is one of my favourite eras in general. I love '60s music, and I've always wanted to do a period film.
I think, at first blush, the '60s always enticed me. There's something about the '60s, it's not hard to like it.
There's a big difference, as I'm sure you know, it's a slightly manneristic one, between people of the '60s and people of '68. Being a soixante-huitard - it's so nice to have a French word for it - is very different from just having happened to been a baby boomer in the '60s.
I lived in France during the '60s. I was there from the early '60s until 1970, so my view of the '60s is more global. It was a time of tremendous transition, not only for America but for the whole world.
I had bohemian parents in Seattle in the last '60s living in a houseboat. My dad wrote science fiction novels and painted big murals and oil paintings.
I wouldn't change a thing in my own life, but I'd like to go back in time anyway though, just to some eras that I wish I'd lived in, like the '60s. I'd love to have been in London in the '60s, partying away.
My mother had her dresses made. In those days in Chile, the early '70s, people had dressmakers make their things. With the leftovers, my sister and I always had a matching outfit. She had an outfit, we had the mini version. That was the very late '60s, early '70s way to dress your kids.
I wouldn't change a thing in my own life, but I'd like to go back in time anyway though, just to some sort of eras that I wish I'd lived in - like the '60s. I'd love to have been in London in the '60s, partying away.
I was always searching, always seeking the next big thing, because that was the thing that was going to make everything all right again. And while I was working toward it, it gave me something to think about other than that thing I couldn't put my finger on. But it always came back.
When I went to school, it was right after the '60s and before this general wave of practical purposefulness had set in.... The idealistic wind of the '60s was still at our backs, though, and most of the people I know who are my age have that engrained in them forever.
With women, you always have to make an educated decision to figure out what they're thinking. It's not one that's necessarily sympathetic, always. Of course, we're all human beings, but the gender thing is big thing. And a great thing.
We're always looking for the Big Love, the Big High, the next Big Thing to happen. We miss what's in front of us.
This site uses cookies to ensure you get the best experience. More info...
Got it!