A Quote by Miranda Otto

When I was younger, people would always say, 'Are you a ballet dancer?' I had that look - one of those skinny kids with my hair in a bun. — © Miranda Otto
When I was younger, people would always say, 'Are you a ballet dancer?' I had that look - one of those skinny kids with my hair in a bun.
When I was a kid, I always had my hair in two plaits. But for dancing, I had to have it in a bun because I did ballet.
I usually do my hair and makeup in 30 to 45 minutes, and if my hair is dirty, I'll just put it in a bun or a ponytail. If it's in a bun, I'll part it down the middle and do a low bun with a couple pieces in the front coming down.
I always wanted to be an actor. I was one of those lucky kids - or cursed kids - who always knew what he wanted to do. My wife too. She's a ballet dancer, and she's known what she wanted to do since she was 5. My mother used to tell this story about how our TV set had been taken to be repaired, and back then, they took the set out of the console. So there was this empty console with an empty TV screen in it, and I would climb inside and be like, "I'm on TV!"
'Get a Job' is about all the rich kids we knew when we were younger, kids who never had jobs but always had money for partying or getting their hair done.
I knew I wanted to be a ballet dancer, but what kind, I wasn't sure. My two dream companies had been New York City Ballet and American Ballet Theater.
When I was a kid, in a very white boarding school in England in the '90s, I had this sort of middle part that kids had - that sort of long, floppy hair. So I was always desperate to have long, floppy hair, and I would try and brush it and spray it, and it would just look like a Brillo pad!
I would always hunch over, I was always taller than the boys. I had the extremely skinny legs... I would double up my socks, those ones from Footlocker, to make my legs look thicker.
I actually was a ballet dancer - I studied ballet from three until 13 - but like very seriously, that's what I wanted to do. I wanted to be a contemporary ballet dancer. I wanted to go to Juilliard.
She trained as a ballet dancer yet she was an iron fist in a velvet glove. My younger brother Luca and I had a wonderful childhood since she would try to guide us gently down the right path.
If you look up, and you see that all of a sudden the world is really coming down on people with brown hair, I would think the people with black hair would look at that and go, 'Well, that could be me, and so, I shouldn't stand for that any more than those people with brown hair stand for it.'
I grew up learning ballet, and then I took up contemporary as I got older. I probably thought I was going to be a ballet dancer when I was younger, but at a certain age, I really was more interested in acting.
I grew up learning ballet and then I took up contemporary as I got older. I probably thought I was going to be a ballet dancer when I was younger, but at a certain age, I really was more interested in acting.
I grew up going to see my sister dance, both at the ballet and later as a modern dancer, and have always been a big fan of the ballet. So I have had a long relationship with dance.
I've never danced professionally as a ballet dancer, but all of my training is ballet, and I am a Fosse dancer.
I was a very rotund child with short hair, and for some reason, I always had black ballet shoes. I was like the Wednesday Addams of ballet.
I originally wanted to be a ballet dancer and trained for years, but when I was around 18, I realized I wasn't going to be as good a ballet dancer as I'd hoped I'd be and decided to become an actress instead.
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