A Quote by Miranda Otto

I always feel this huge responsibility to the script when it arrives, keeping it confidential. — © Miranda Otto
I always feel this huge responsibility to the script when it arrives, keeping it confidential.
I really feel a sense of responsibility first as a creation of a force that I call God, that's bigger than myself. And because I'm black, I feel the responsibility to that. I feel the responsibility to my womanness. But more importantly, I feel a responsibility to my humanness.
I think there's a responsibility more as an artist to try and push in the direction you think comedy should go... The biggest thing I could do for the art that I love was keeping it art: keeping it special, keeping it honest, keeping it truthful.
Simply stated, sometimes journalists can only get their information from informants who must remain anonymous in order to protect their careers and sometimes even their lives: Watergate: Confidential sources. The Pentagon Papers: Confidential sources. Enron: Confidential sources.
I didn't want the responsibility, I didn't know how to handle the responsibility of speaking for the gay community. I always felt like I owed them a huge apology for coming out too late.
As an actor, I have always felt, everything is available in the script. If there is anything you feel the script lacks, you can have a discussion with the director and point out those.
It's a huge challenge, a huge responsibility. Bond is a huge iconic figure in movie history. These opportunities don't come along very often so I thought, 'Why not?'
You feel a huge sense of responsibility when you're playing a real person.
I don't feel I'm fighting to reach this huge audience; it just happens. I go on stage before the audience arrives and look out to this vast empty house. There's something therapeutic about taking in the ring where you'll perform.
Nothing arrives on paper as it started, and so much arrives that never started at all. To write is always to rave a little-even if one did once know what one meant
I feel nervous when the script is set in stone, and I feel nervous when I feel the script is written for mass consumption because I don't see myself that way.
Finding one good script is a huge challenge. So I do a film whose script comes and grabs me. Once I finish that, I look forward to the next movie.
I never knew that when you're number one on the call sheet you have not only the responsibility of carrying the film but also the responsibility of keeping up the morale of the crew and cast.
I'm black, I don't feel burdened by it and I don't think it's a huge responsibility. It's part of who I am. It does not define me.
You do not walk into any hearing or committee meeting and reveal confidential communications with the president of the United States, who's entitled to receive confidential communications in your best judgment about a host of issues.
I am completely and utterly hooked to all the great shows on A&E and Court TV that are about small town murder. These shows like Forensic Files, City Confidential, I just can't get enough of them. It's always the same sort of deal. You know that they interview the actual people that lived through the experience. I miss Paul Winfield as the host of City Confidential, may he rest in peace.
I always feel a responsibility to the people I write about. I feel obligated to portray them in the way they feel is proper.
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