A Quote by Mireille Enos

When actors are the real deal, all that star whatever goes right out the window and you're there to tell a story. — © Mireille Enos
When actors are the real deal, all that star whatever goes right out the window and you're there to tell a story.
I am waiting for the right story to tell. Just like 'Man of Tai Chi' just seemed to be the right story to tell. So I'm looking for that. Because I really love directing. I love developing the story. I love actors. I love the cinema of it, the way that you tell a story visually.
If the audience gets everything, if they see the photography and notice that it is good, then the story goes out the window, but if you become involved with the lives of the actors and forget that you are seeing mechanical devices on a huge screen - forget the make-believe - this is the job of the director to involve the audience with the actors.
Films, fiction, can encompass a whole global vision on a particular subject with any story, whatever it is. You can play the story in whatever country with whatever language in whatever style you want to tell the story in.
I'm not so interested any more in how a great deal of science fiction goes. It goes into things like Star Wars and Star Trek which all go excellent in their own way.
There tends to be this hierarchy of film and television, and theater is somewhere else in its own milieu. However, as actors, yes, we love to do theater because it's our story. Nobody can edit it, the curtain goes up, and it's ours for two hours or three, or whatever. And we tell it.
I deal with painting as I deal with things, I paint a window just as I look out of a window. If an open window looks wrong in a picture, I draw the curtain and shut it, just as I would in my own room. In painting, as in life, you must act directly.
Whatever story you want to tell, tell it at the right size.
You have to figure out who the right person is to tell the story. And often, people who are very self-aware will only sound as if they are pontificating if they tell the story.
To tell a strong story with real taste of an epic tragedy needs great actors.
The best ones - Hulk Hogan believes in Hulkamania. It's not a thing he's selling here. It's real. He knows it's real because he goes to the Mall Of America and everybody goes insane, right? Wrestling is real. Those characters are real.
When you're expecting a baby, there's a lot you can plan for, but when it happens early you just have to jump into it. Whatever plans you had, everything goes out the window.
I think the business of writing a great deal of it is the business of paying attention to your characters, to the world they live in, to the story you have to tell, but just a kind of deep attention and out of that if you pay attention properly the story will tell you what it needs.
I've found great virtue in two-thirds of the way into the message; right before I'm really want to nail home a point, pausing to tell a joke or to tell a light-hearted story, because I know my audience has been working with me now for 20 or 25 minutes. And if I can get them to laugh, get oxygen into their system, it wakes up those who might be sleeping, so there's something about using a story to draw people back in right before you drive home your final point. In that case I think it's real legitimate just to use a story for story's sake.
At some point, you have to disconnect, if the obsession with playing a real person gets in the way of the movie at large. At the same time, we're all interested, as actors in trying to get as close to the real thing as we can, and whatever you can do in order to create that transformation feels fun and, for me, the furthest I can get away from myself is fun. It's all part of the costume, the accent, and all that stuff. It's about trying to get close without it being a detriment to the point of view of the story that you're trying to tell.
Drummers are conductors - we set the pace for the music - so if you're not relaxed and feeling right, the whole thing goes out the window.
If the anti-Christian agenda will say, 'Here's your identity, you're an evolved amoeba who ought to just go do whatever you want and don't let anybody tell you different,' then they can get you to throw your faith, your character, your courage, and your liberty right out the window.
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