A Quote by Miriam Makeba

I titled the album Reflections because I am reflecting on my music career. — © Miriam Makeba
I titled the album Reflections because I am reflecting on my music career.
I try to influence this improvisation in two ways. One is by centering on reflections, in both senses of the word: acoustic reflections as well as visual reflections from a mirror or surface, and then reflecting on the material in a contemplative way. The other influence is listening to the tails of the sounds that you make.
People want nothing but mirrors around them. To reflect them while they’re reflecting too ... Reflections of reflections and echoes of echoes. No beginning and no end. No center and no purpose.
I believe in reflecting honesty and reflecting reality in my music and making music that touches people emotionally - music that can bring us together.
We titled it, 'You Should Be Here,' for one, because just how special that song is, and I think it kind of sets the tone for this album. I've established that I like to have fun, but this is a little more than that - this album has got some fun stuff, but it's also got topics that I haven't gotten a chance to touch, and I'm so excited about it.
We had to create an album where there wasn't one. I never listen to that album [ Music From the Edge of Heaven] because it wasn't an album.
Krishna Chaitayna came with a script titled 'Powerpeta,' and in this film I am playing the most challenging role of my career till date.
[Bob] Dylan's many quotations from classic American roots music (that song is from an album aptly titled Love and Theft) join the aging poet to a tradition that preceded him and hopefully will outlive him as well.
In a sense, I'm always hearing music of some sort, whether it's people talking or surface noise or whatever, because there is no privacy. So when I'm by myself, I just kind of like to be and reflect, and I can't do that when I'm listening to music. Because it's someone else's reflections, not mine.
In my mind, an album shouldn't be self-titled unless it feels that way.
Somtimes I regret [that debut album was titled "Bad Azz" ], because people take it the wrong way. Everybody got a bad ways, and I'm a 'Bad Ass'... whenever I'm not good, so that's what I'm talkin' about.
When there is nothing to desire, there is nothing to dream about either, because dreams are reflections of your desires. Dreams are reflections of your frustrations, dreams are reflections of your repressions, dreams reflect your day-life.
If the career you have chosen has some unexpected inconvenience, console yourself by reflecting that no career is without them.
I did a pop album, 'Sogno,' in 1999. I think it's important to record another pop album because many people love pop music. By this kind of repertoire, some people can later discover classical music.
I am trying to change hip-hop music because I do feel there are places people can go with production and the structure of an album that they haven't gone yet. But, like I said, I don't have any delusions of grandeur. I just want to make music that doesn't make me bored.
I felt that the elegance of pop music was that it was reflective: we were holding up a mirror to our audience and reflecting them philosophically and spiritually, rather than just reflecting society or something called 'rock and roll.'
Ask me about the challenge of becoming as good at music as I am at motorsport, and I have to say: my career has been racing, and I don't plan on music becoming my next career.
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