A Quote by Miriam Shor

Your job as a director is to study the show, understand the show, understand the vibe, the tone, the characters. — © Miriam Shor
Your job as a director is to study the show, understand the show, understand the vibe, the tone, the characters.
The way Disney characters move, they're very kind of slow and fluid and flowing; one pose kind of eases into the next. If you look at a show like 'The Simpsons' and subsequently a show like 'Family Guy' - the characters will jerk from pose to pose a lot, a bit more snappy. Which sort of goes along with the writing tone of the show.
As an actor, it's always important to understand what the director is after. That, to me, is my job. When I'm acting, I like to ask a lot of questions and understand exactly why the director is doing what they're doing, so that I can provide him or her with the ingredients that they need to get the scene that they want. It's not to challenge them, in any way. It's just so that I can do my job best.
A lot of times I think the cast members, the lead characters in a show really set the tone for the show. On some shows, the stars of the show will just be whining and complaining and spending the whole time texting their boyfriends on their Blackberries, and there's just no attention given to the work.
There are some scenes that you have to lose in order to win something at the end. A good director will keep pointing you that way, but it is also your job as an actor to understand that there are scenes that you do, particularly when you are the lead, where other people get to come in and steal and you have to let them. I understand that but a good director always reminds you where those moments are.
There’s nothing to it. All you have to do is take a close look at yourself and you will understand everyone else. We’re in no way different ourselves... You show me someone who can’t understand people and I’ll show you someone who has built up a false image of himself.
When you're directing an ongoing series, the tone has already been set. So a director will come in and fulfill that tone - reinforce the characters and their behavior. The challenge is to find unique ways that you can visually tell the story while keeping the established tone and the pace and the characters.
As a writer, it's fun to create. And once you get into a long-running show with very established characters and a very established tone and format, after a while it's a really great job, but that's what it is - a job.
Great music is just very clear. Sonically and lyrically, you understand the point of view, you understand the melodies, you understand the vibe, and you understand the lyric pretty damn quickly. To me, that doesn't make it 'less than' - it makes it 'more than.'
As actors, we want to show our acting prowess but one has to understand what to show and when to show. I learnt very early in my life that it is not required to be in the forefront all the time. There is a moment that belongs to you but when you are not needed, you need to disappear.
What a lot of people don't understand about the NC-17, which I didn't understand, is that you can't show it in major theater chains - and you can't even air spots for your film on television. It really stigmatizes the movie.
To hate is to study, to study is to understand, to understand is to appreciate, to appreciate is to love. So maybe I'll end up loving your theory.
You have to understand the tone of the movie, because if it's supposed to be funny, it can be funny violent like the Home Alone stuff, but you have to really understand the tone of what you're doing and make the action work for that and for the character.
The director is the only person on the set who has seen the film. Your job as a director is to show up every day and know where everything will fit into the film.
You - as a director, you have to do your job, you have to show things, and you don't have to ask the actors to do it, or the dialogue.
No blame, no reasoning, no argument, just understanding. If you understand, and you show that you understand, you can love, and the situation will change.
You have to show up when your show fails - or it succeeds. When you are enjoying the glory of success, you have to show up and still work hard because it may not last. You have to do your job with the same sincerity when you started and till you can actually do it with passion.
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